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neumu
Wednesday, November 22, 2017 
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Editor's note: We have activated the Neumu 44.1 kHz Archive. Use the link at the bottom of this list to access hundreds of Neumu reviews.

+ Donato Wharton - Body Isolations
+ Svalastog - Woodwork
+ Tim Hecker - Harmony In Ultraviolet
+ Rosy Parlane - Jessamine
+ Jarvis Cocker - The Jarvis Cocker Record
+ Múm - Peel Session
+ Deloris - Ten Lives
+ Minimum Chips - Lady Grey
+ Badly Drawn Boy - Born In The U.K.
+ The Hold Steady - Boys And Girls Together
+ The Blood Brothers - Young Machetes
+ The Places - Songs For Creeps
+ Camille - Le Fil
+ Wolf Eyes - Human Animal
+ Christina Carter - Electrice
+ The Decemberists - The Crane Wife
+ Junior Boys - So This Is Goodbye
+ Various Artists - Musics In The Margin
+ Rafael Toral - Space
+ Bob Dylan - Modern Times
+ Excepter - Alternation
+ Chris Thile - How To Grow A Woman From The Ground
+ Brad Mehldau - Live in Japan
+ M Ward - Post-War
+ Various Artists - Touch 25
+ The Mountain Goats - Get Lonely
+ The White Birch - Come Up For Air
+ Camera Obscura - Let's Get Out of This Country
+ Coachwhips - Double Death
+ Various Artists - Tibetan And Bhutanese Instrumental And Folk Music, Volume 2
+ Giuseppe Ielasi - Giuseppe Ielasi
+ Cex - Actual Fucking
+ Sufjan Stevens - The Avalanche
+ Leafcutter John - The Forest And The Sea
+ Carla Bozulich - Evangelista
+ Barbara Morgenstern - The Grass Is Always Greener
+ Robin Guthrie - Continental
+ Peaches - Impeach My Bush
+ Oakley Hall - Second Guessing
+ Klee - Honeysuckle
+ The Court & Spark - Hearts
+ TV On The Radio - Return To Cookie Mountain
+ Awesome Color - Awesome Color
+ Jenny Wilson - Love And Youth
+ Asobi Seksu - Citrus
+ Marsen Jules - Les Fleurs
+ The Moore Brothers - Murdered By The Moore Brothers
+ Regina Spektor - Begin To Hope
+ The 1900s - Plume Delivery EP
+ Alejandro Escovedo - The Boxing Mirror
+ Function - The Secret Miracle Fountain
+ Sonic Youth - Rather Ripped
+ Loscil - Plume
+ Boris - Pink
+ Deadboy And The Elephantmen - We Are Night Sky
+ Glissandro 70 - Glissandro 70
+ Calexico - Garden Ruin (Review #2)
+ Calexico - Garden Ruin (Review #1)
+ The Flaming Lips - At War With The Mystics
+ The Glass Family - Sleep Inside This Wheel
+ Various Artists - Songs For Sixty Five Roses
+ The Fiery Furnaces - Bitter Tea
+ Motorpsycho - Black Hole/Blank Canvas
+ The Red Krayola - Introduction
+ Metal Hearts - Socialize
+ American Princes - Less And Less
+ Sondre Lerche And The Faces Down Quartet - Duper Sessions
+ Supersilent - 7
+ Band Of Horses - Everything All The Time
+ Dudley Perkins - Expressions
+ Growing - Color Wheel
+ Red Carpet - The Noise Of Red Carpet
+ The Essex Green - Cannibal Sea
+ Espers - II
+ Wilderness - Vessel States

44.1 kHz Archive



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Gospel Music
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Like blues, gospel has influenced nearly every genre of popular music — from barbershop and doo-wop to R&B and soul to hip-hop, funk and rock. This collection gathers work from many of the artists gospel launched into the mainstream — Mahalia Jackson, the Staple Singers and Sam Cooke — as well as innovators who are little known outside the genre.

Gospel music itself spans a variety of styles and moods, from plaintive, spiritual-based laments to syncopated, polyrhythmic, tightly harmonized grooves. Among the slower, solo cuts, Dorothy Love Coats' smoldering "Strange Man" is a highlight, with her rough-edged alto soaring over a righteous bedrock of organ and brush-slapped drums and tambourine. Even better is Mavis Staples' ravishing, melisma-laced "Stand by Me," where every note smokes and billows with feeling. These are deep-throated, powerful female singers, whose grit and groove could (and in Staples' case, did) put sexual heat into more secular compositions. Mahalia Jackson's "My God Is Real" shimmers angelically in comparison over a church-y swell of organ.

The faster, choral cuts have a Sunday-meeting exuberance, all tight harmonies and polyrhythmic interplay. The Golden Gate Jubilee Quartet, one of the leading gospel quartets of the 1930s and 1940s, contributes a complex-rhythmed version of the traditional hymn "Go Where I Send Thee," their vocal lines criss-crossing in geometrically precise patterns before joining in euphoric multi-part harmonies. The Five Blind Boys of Alabama also work mostly a cappella, coaxing complex cadences from interlocking voices and handclaps in "This May Be the Last Time." The Violinaires take this syncopated style into harder-rocking territory, with electric guitars, tambourine and bar-room piano, in the feverish "What He Done for Me."

This is wonderful stuff, both on its own terms, and as a precursor to so many kinds of music — from Stax and Motown through more melodically based forms of hip-hop. It's frustrating, though, that the liner notes are so sparse. They're little more than a track listing, really, and in no way do justice to the many lives and musical oeuvres represented here.


by Jennifer Kelly




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