Tuesday, March 5, 2024 
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Editor's note: We have activated the Neumu 44.1 kHz Archive. Use the link at the bottom of this list to access hundreds of Neumu reviews.

+ Donato Wharton - Body Isolations
+ Svalastog - Woodwork
+ Tim Hecker - Harmony In Ultraviolet
+ Rosy Parlane - Jessamine
+ Jarvis Cocker - The Jarvis Cocker Record
+ Múm - Peel Session
+ Deloris - Ten Lives
+ Minimum Chips - Lady Grey
+ Badly Drawn Boy - Born In The U.K.
+ The Hold Steady - Boys And Girls Together
+ The Blood Brothers - Young Machetes
+ The Places - Songs For Creeps
+ Camille - Le Fil
+ Wolf Eyes - Human Animal
+ Christina Carter - Electrice
+ The Decemberists - The Crane Wife
+ Junior Boys - So This Is Goodbye
+ Various Artists - Musics In The Margin
+ Rafael Toral - Space
+ Bob Dylan - Modern Times
+ Excepter - Alternation
+ Chris Thile - How To Grow A Woman From The Ground
+ Brad Mehldau - Live in Japan
+ M Ward - Post-War
+ Various Artists - Touch 25
+ The Mountain Goats - Get Lonely
+ The White Birch - Come Up For Air
+ Camera Obscura - Let's Get Out of This Country
+ Coachwhips - Double Death
+ Various Artists - Tibetan And Bhutanese Instrumental And Folk Music, Volume 2
+ Giuseppe Ielasi - Giuseppe Ielasi
+ Cex - Actual Fucking
+ Sufjan Stevens - The Avalanche
+ Leafcutter John - The Forest And The Sea
+ Carla Bozulich - Evangelista
+ Barbara Morgenstern - The Grass Is Always Greener
+ Robin Guthrie - Continental
+ Peaches - Impeach My Bush
+ Oakley Hall - Second Guessing
+ Klee - Honeysuckle
+ The Court & Spark - Hearts
+ TV On The Radio - Return To Cookie Mountain
+ Awesome Color - Awesome Color
+ Jenny Wilson - Love And Youth
+ Asobi Seksu - Citrus
+ Marsen Jules - Les Fleurs
+ The Moore Brothers - Murdered By The Moore Brothers
+ Regina Spektor - Begin To Hope
+ The 1900s - Plume Delivery EP
+ Alejandro Escovedo - The Boxing Mirror
+ Function - The Secret Miracle Fountain
+ Sonic Youth - Rather Ripped
+ Loscil - Plume
+ Boris - Pink
+ Deadboy And The Elephantmen - We Are Night Sky
+ Glissandro 70 - Glissandro 70
+ Calexico - Garden Ruin (Review #2)
+ Calexico - Garden Ruin (Review #1)
+ The Flaming Lips - At War With The Mystics
+ The Glass Family - Sleep Inside This Wheel
+ Various Artists - Songs For Sixty Five Roses
+ The Fiery Furnaces - Bitter Tea
+ Motorpsycho - Black Hole/Blank Canvas
+ The Red Krayola - Introduction
+ Metal Hearts - Socialize
+ American Princes - Less And Less
+ Sondre Lerche And The Faces Down Quartet - Duper Sessions
+ Supersilent - 7
+ Band Of Horses - Everything All The Time
+ Dudley Perkins - Expressions
+ Growing - Color Wheel
+ Red Carpet - The Noise Of Red Carpet
+ The Essex Green - Cannibal Sea
+ Espers - II
+ Wilderness - Vessel States

44.1 kHz Archive

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Town And Country
Up Above
Thrill Jockey

If it's all-important to wield the shtick, Town and Country are definitely bearing arms. The Chicago-chops crew have a devotion to playing only the acoustic instruments; and, given that they're the typical studio-dorks-of-the-new-age (i.e.: like, totes obsessed with playing a million different trinkets on any recording), it's hardly the surprise that the rockband have frolicked further and further into the unending Elysian fields of exotic instrumentage, the grass being always greener in the lands where the cats play karkabas, guimbri, kalimba, and shakuhachi. Of course, cheap-and-nasty new-age-flotation-tank discs often abuse the exotic in their Muzak, so just wearing those things, listed, on the sleeve of your handsome record jacket ain't enough to have listeners banging the gong. And even the hippest humanoids can seem Max Fischeresque in their dilettantish dabbling when teasing and testing so many frontiers; and, at times, across the course of the six-disc/four-album litany, the T&C jamboree have seemed a little like a bunch of music dorks trying things on to see what fits. It was only on their last longplayer, 5, that the crew tried to put their money where their instrument-store receipts were, claiming to have wholeheartedly embraced Japanese Gagaku court music as they diddled and fiddled and finger-cymbaled their way through stately suites of faux-avant-gardism played with all the deft reverence of a chamber quartet.

Up Above follows on from such, avoiding electricity as Town and Country rattle up all sorts of drones, with harmonium, accordion, organ and the human throat wailing away whilst the crew clatter out arrhythmic rhythmia on a menagerie of tuned percussion. Ben Vida's guitar, once the staple of this outfit, has been seemingly consigned to only its Bird Show life, the set setting its controls for the heart of sun blazing with flaming let's-go-ethno-musickry!, a burning ring of faux-fire-music(k) in which an acoustic guitar is too totally like Western and bourgeois and shit. Up Above Is, in such, a gentle enough jam to work/non-work in an incidentalist sense; but compare it to folk that do this sort of gear with a fearsome seriousness — like, most obviously, the Vibracathedral Orchestra — and T&C come up as pale as a Midwestern mid-winter tan.

by Anthony Carew

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