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neumu
Thursday, March 28, 2024 
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+ Donato Wharton - Body Isolations
+ Svalastog - Woodwork
+ Tim Hecker - Harmony In Ultraviolet
+ Rosy Parlane - Jessamine
+ Jarvis Cocker - The Jarvis Cocker Record
+ Múm - Peel Session
+ Deloris - Ten Lives
+ Minimum Chips - Lady Grey
+ Badly Drawn Boy - Born In The U.K.
+ The Hold Steady - Boys And Girls Together
+ The Blood Brothers - Young Machetes
+ The Places - Songs For Creeps
+ Camille - Le Fil
+ Wolf Eyes - Human Animal
+ Christina Carter - Electrice
+ The Decemberists - The Crane Wife
+ Junior Boys - So This Is Goodbye
+ Various Artists - Musics In The Margin
+ Rafael Toral - Space
+ Bob Dylan - Modern Times
+ Excepter - Alternation
+ Chris Thile - How To Grow A Woman From The Ground
+ Brad Mehldau - Live in Japan
+ M Ward - Post-War
+ Various Artists - Touch 25
+ The Mountain Goats - Get Lonely
+ The White Birch - Come Up For Air
+ Camera Obscura - Let's Get Out of This Country
+ Coachwhips - Double Death
+ Various Artists - Tibetan And Bhutanese Instrumental And Folk Music, Volume 2
+ Giuseppe Ielasi - Giuseppe Ielasi
+ Cex - Actual Fucking
+ Sufjan Stevens - The Avalanche
+ Leafcutter John - The Forest And The Sea
+ Carla Bozulich - Evangelista
+ Barbara Morgenstern - The Grass Is Always Greener
+ Robin Guthrie - Continental
+ Peaches - Impeach My Bush
+ Oakley Hall - Second Guessing
+ Klee - Honeysuckle
+ The Court & Spark - Hearts
+ TV On The Radio - Return To Cookie Mountain
+ Awesome Color - Awesome Color
+ Jenny Wilson - Love And Youth
+ Asobi Seksu - Citrus
+ Marsen Jules - Les Fleurs
+ The Moore Brothers - Murdered By The Moore Brothers
+ Regina Spektor - Begin To Hope
+ The 1900s - Plume Delivery EP
+ Alejandro Escovedo - The Boxing Mirror
+ Function - The Secret Miracle Fountain
+ Sonic Youth - Rather Ripped
+ Loscil - Plume
+ Boris - Pink
+ Deadboy And The Elephantmen - We Are Night Sky
+ Glissandro 70 - Glissandro 70
+ Calexico - Garden Ruin (Review #2)
+ Calexico - Garden Ruin (Review #1)
+ The Flaming Lips - At War With The Mystics
+ The Glass Family - Sleep Inside This Wheel
+ Various Artists - Songs For Sixty Five Roses
+ The Fiery Furnaces - Bitter Tea
+ Motorpsycho - Black Hole/Blank Canvas
+ The Red Krayola - Introduction
+ Metal Hearts - Socialize
+ American Princes - Less And Less
+ Sondre Lerche And The Faces Down Quartet - Duper Sessions
+ Supersilent - 7
+ Band Of Horses - Everything All The Time
+ Dudley Perkins - Expressions
+ Growing - Color Wheel
+ Red Carpet - The Noise Of Red Carpet
+ The Essex Green - Cannibal Sea
+ Espers - II
+ Wilderness - Vessel States

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Same Actor
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Sharp Edges
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Based in Brighton, England, Chris Cook performs and composes his music under a number of different names, as well as collaborating with various local musicians. His first release proper as Same Actor, following a limited CD-R release a few years back, features sitar, dulcimer and acoustic guitar processed, edited and spliced together.

For the first 12 of this album's 13 tracks, Cook keeps his compositions concise, flitting between ambient abstraction and edgier, glitch-infected electronica, allowing for melodic forays on dulcimer and sitar, fleshed out with synth drones and bass pulses. Cook uses the sitar in a non-exotic fashion, downplaying its broad ethnic and '60s psych associations, and instead concentrating on its actual sound and how far that can be stretched and squeezed to fit different formats. So, for example, "Red Yellow Porpoise" has electronic polyrhythms set up in a face-off against the sitar's acoustic kinesis, each driving the other on within a largely dub-flavored groove.

Throughout Sharp Edges the music retains an organically shifting flavor, even as it sometimes collapses in on itself in volleys of glitches and jump-cut edits. And while it hardly adheres to any particular genre, it provides its own kind of continuous meta-folk commentary through its appropriation and recontextualization of acoustic music.

Having journeyed through various contrasting scenarios, exploring both purely textural and gently drifting sounds, Cook rounds this collection off with "Deforestation," a lengthy excursion that leads off with a syncopated acoustic meander before drifting into improvised sitar reverie, synth drones and pulsating sheets of sound. It's a brave stab at pushing things further, and just about holds together, though, at 27 minutes, it creates an imbalance in the album as a whole, obscuring the preceding tracks with its mixture of extended improv and sprawling soundscape.


by Tom Ridge




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