Wednesday, February 28, 2024 
--archival-captured-cinematronic-continuity error-daily report-datastream-depth of field--
--drama-44.1 khz-gramophone-inquisitive-needle drops-picture book-twinklepop--
Neumu = Art + Music + Words
Search Neumu:  

44.1kHz = music reviews

edited by michael goldbergcontact

Editor's note: We have activated the Neumu 44.1 kHz Archive. Use the link at the bottom of this list to access hundreds of Neumu reviews.

+ Donato Wharton - Body Isolations
+ Svalastog - Woodwork
+ Tim Hecker - Harmony In Ultraviolet
+ Rosy Parlane - Jessamine
+ Jarvis Cocker - The Jarvis Cocker Record
+ Múm - Peel Session
+ Deloris - Ten Lives
+ Minimum Chips - Lady Grey
+ Badly Drawn Boy - Born In The U.K.
+ The Hold Steady - Boys And Girls Together
+ The Blood Brothers - Young Machetes
+ The Places - Songs For Creeps
+ Camille - Le Fil
+ Wolf Eyes - Human Animal
+ Christina Carter - Electrice
+ The Decemberists - The Crane Wife
+ Junior Boys - So This Is Goodbye
+ Various Artists - Musics In The Margin
+ Rafael Toral - Space
+ Bob Dylan - Modern Times
+ Excepter - Alternation
+ Chris Thile - How To Grow A Woman From The Ground
+ Brad Mehldau - Live in Japan
+ M Ward - Post-War
+ Various Artists - Touch 25
+ The Mountain Goats - Get Lonely
+ The White Birch - Come Up For Air
+ Camera Obscura - Let's Get Out of This Country
+ Coachwhips - Double Death
+ Various Artists - Tibetan And Bhutanese Instrumental And Folk Music, Volume 2
+ Giuseppe Ielasi - Giuseppe Ielasi
+ Cex - Actual Fucking
+ Sufjan Stevens - The Avalanche
+ Leafcutter John - The Forest And The Sea
+ Carla Bozulich - Evangelista
+ Barbara Morgenstern - The Grass Is Always Greener
+ Robin Guthrie - Continental
+ Peaches - Impeach My Bush
+ Oakley Hall - Second Guessing
+ Klee - Honeysuckle
+ The Court & Spark - Hearts
+ TV On The Radio - Return To Cookie Mountain
+ Awesome Color - Awesome Color
+ Jenny Wilson - Love And Youth
+ Asobi Seksu - Citrus
+ Marsen Jules - Les Fleurs
+ The Moore Brothers - Murdered By The Moore Brothers
+ Regina Spektor - Begin To Hope
+ The 1900s - Plume Delivery EP
+ Alejandro Escovedo - The Boxing Mirror
+ Function - The Secret Miracle Fountain
+ Sonic Youth - Rather Ripped
+ Loscil - Plume
+ Boris - Pink
+ Deadboy And The Elephantmen - We Are Night Sky
+ Glissandro 70 - Glissandro 70
+ Calexico - Garden Ruin (Review #2)
+ Calexico - Garden Ruin (Review #1)
+ The Flaming Lips - At War With The Mystics
+ The Glass Family - Sleep Inside This Wheel
+ Various Artists - Songs For Sixty Five Roses
+ The Fiery Furnaces - Bitter Tea
+ Motorpsycho - Black Hole/Blank Canvas
+ The Red Krayola - Introduction
+ Metal Hearts - Socialize
+ American Princes - Less And Less
+ Sondre Lerche And The Faces Down Quartet - Duper Sessions
+ Supersilent - 7
+ Band Of Horses - Everything All The Time
+ Dudley Perkins - Expressions
+ Growing - Color Wheel
+ Red Carpet - The Noise Of Red Carpet
+ The Essex Green - Cannibal Sea
+ Espers - II
+ Wilderness - Vessel States

44.1 kHz Archive

peruse archival
Mary Timony
Ex Hex

Once Upon A Time, in a Mythical Age we'll call the late '90s, when Mary Timony was coloring in her storybook wonderlands of witchcraft and dragons with kitschy keytone zaps, acid-folk flourish, and prog-rock dagginess, all those now-bearded dudes currently bidding online on rare Chasny sides were either uninterested or utterly dismissive of the fact that Timony was quietly crafting most magickal musickry with the nimblest of fingers. Making music only really comparable with the work of collaborateurs Christina Billotte (of Quix*o*tic) and Carrie Brownstein (of Sleater-Kinney), Timony cobbled some sort of musical Frankenstein on the Matador dime, charging her downpicked guitars, irregular tunings, minor-key disharmonies, and doom-metal lyrics with an ungodly life that made their mismatched, stitched-together limbs twitch. Timony created this misshapen mutation with scant regard for historical/tonal/rock-myth fidelity, essentially "feminizing" the kinds of music usually left to the dorkiest of dudes; and those dudes reacted to her like she was a Monster, staggering into their cloistered community, threatening everything they held dear. Routinely derided by said dudes as a pretty girl who could wrap Bowie/Cosloy/McEntire types around her finger, Timony was essentially left alone, free to forge far into the most bizarre realms of her indie-princess-cum-Dungeon-Master worlds, which made for an ongoing, awkwardly-staged fashion parade of self-styled, not-stoned cosmickry.

Of course, now that the folk-revival revival has achieved mass-cultural crossover, Timony should be more in her element. Except the rainbow age of The Magic City, the archaic man-made machinery of Mountains, and the mordant traditional-music medievalism of The Golden Dove are things she's long left behind. Her third solo album finds Timony — now living in Los Angeles, now hanging out with, um, the Deftones — rocking/rocking-the-boat, making her most direct, distorted disc since she did Helium's The Dirt of Luck a decade ago. Mary's still down with downpicking single-note guitar-lines in mordant minor keys, but, bunking down with Brendan Canty in his D.C. studio, Ex Hex has a more punk-rock approach, with even its descent/ascent into outright cosmic climes coming through power-trio tightness, all culminating in a seven-minute mantra that's really just the "Paranoid" riff ripped in half, and repeated endlessly.

Which, in itself, is an ironic collision of Timony and The Times. As, even though her rockband belligerence has taken her far from the Banhart clan at the neo-folk core, Timony's ripping off of Sabbath and singing of silly doom-metal lyrics aren't about to earn her Wolfmother bucks, either. Those dick-clutching Arthur-ites wouldn't stand for it.

by Anthony Carew

-snippetcontactsnippetcontributorssnippetvisionsnippethelpsnippetcopyrightsnippetlegalsnippetterms of usesnippetThis site is Copyright © 2003 Insider One LLC