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neumu
Monday, September 1, 2014 
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+ Donato Wharton - Body Isolations
+ Svalastog - Woodwork
+ Tim Hecker - Harmony In Ultraviolet
+ Rosy Parlane - Jessamine
+ Jarvis Cocker - The Jarvis Cocker Record
+ Múm - Peel Session
+ Deloris - Ten Lives
+ Minimum Chips - Lady Grey
+ Badly Drawn Boy - Born In The U.K.
+ The Hold Steady - Boys And Girls Together
+ The Blood Brothers - Young Machetes
+ The Places - Songs For Creeps
+ Camille - Le Fil
+ Wolf Eyes - Human Animal
+ Christina Carter - Electrice
+ The Decemberists - The Crane Wife
+ Junior Boys - So This Is Goodbye
+ Various Artists - Musics In The Margin
+ Rafael Toral - Space
+ Bob Dylan - Modern Times
+ Excepter - Alternation
+ Chris Thile - How To Grow A Woman From The Ground
+ Brad Mehldau - Live in Japan
+ M Ward - Post-War
+ Various Artists - Touch 25
+ The Mountain Goats - Get Lonely
+ The White Birch - Come Up For Air
+ Camera Obscura - Let's Get Out of This Country
+ Coachwhips - Double Death
+ Various Artists - Tibetan And Bhutanese Instrumental And Folk Music, Volume 2
+ Giuseppe Ielasi - Giuseppe Ielasi
+ Cex - Actual Fucking
+ Sufjan Stevens - The Avalanche
+ Leafcutter John - The Forest And The Sea
+ Carla Bozulich - Evangelista
+ Barbara Morgenstern - The Grass Is Always Greener
+ Robin Guthrie - Continental
+ Peaches - Impeach My Bush
+ Oakley Hall - Second Guessing
+ Klee - Honeysuckle
+ The Court & Spark - Hearts
+ TV On The Radio - Return To Cookie Mountain
+ Awesome Color - Awesome Color
+ Jenny Wilson - Love And Youth
+ Asobi Seksu - Citrus
+ Marsen Jules - Les Fleurs
+ The Moore Brothers - Murdered By The Moore Brothers
+ Regina Spektor - Begin To Hope
+ The 1900s - Plume Delivery EP
+ Alejandro Escovedo - The Boxing Mirror
+ Function - The Secret Miracle Fountain
+ Sonic Youth - Rather Ripped
+ Loscil - Plume
+ Boris - Pink
+ Deadboy And The Elephantmen - We Are Night Sky
+ Glissandro 70 - Glissandro 70
+ Calexico - Garden Ruin (Review #2)
+ Calexico - Garden Ruin (Review #1)
+ The Flaming Lips - At War With The Mystics
+ The Glass Family - Sleep Inside This Wheel
+ Various Artists - Songs For Sixty Five Roses
+ The Fiery Furnaces - Bitter Tea
+ Motorpsycho - Black Hole/Blank Canvas
+ The Red Krayola - Introduction
+ Metal Hearts - Socialize
+ American Princes - Less And Less
+ Sondre Lerche And The Faces Down Quartet - Duper Sessions
+ Supersilent - 7
+ Band Of Horses - Everything All The Time
+ Dudley Perkins - Expressions
+ Growing - Color Wheel
+ Red Carpet - The Noise Of Red Carpet
+ The Essex Green - Cannibal Sea
+ Espers - II
+ Wilderness - Vessel States

44.1 kHz Archive



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Kid 606
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Resilience
Tigerbeat6
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"Resilience" could suggest a kind of impervious plasticity, which might then be read as an autobiographical hint: there are five years' worth of recordings collected here, and, on past form, Kid 606 (AKA Miguel Depedro), knows a thing or two about bending or ignoring the rules, gleefully loading up clusters of restless, pile-driving electronica. But hold on — the big surprise about Resilience is how streamlined it is, how focused this music sounds.

Instead of a series of frantic scrambles around angular mazes and sudden swerves down unexpected detours, we have the opening glide through "Done With the Scene," and at once the choice of album title seems apposite in a completely different way: this is a display of maturity, where, having reached a plateau in his creative ascent, Kid 606 is taking stock and, well, ruminating. But that said, this never gets too po-faced or self-consciously elegiac.

By the second track, "Spanish Song," the Kid is indulging in a bit of genre-shuffling, blending Latino warmth with cool, clipped funky edits. "Phoenix Riddim" follows, promising an infinite loop of skanking electronica in its evasion of any conventional resolution. Each successive track sounds fully developed and thematically loyal to itself; "Sugarcoated," for example, is a kind of squelchy, deep-bass, mutant disco groove, while "I Miss You" has a polyrhythmic but plaintive structure that is part-Exotica, part post-carnival hangover wistfulness.

There are recurring traces of John Carpenter-style '70s synth sounds, and hints of melancholia amid the electronic steppers' rhythms and jaunty grooves, but for the most part this album is most notable for its evenness and restraint. It doesn't have the edginess of the Kid's previous recordings, and cloaks its eclectic sense of play in tasteful, textured layers, but in so doing achieves a consistency that has previously been lacking.


by Tom Ridge




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