Thursday, February 29, 2024 
--archival-captured-cinematronic-continuity error-daily report-datastream-depth of field--
--drama-44.1 khz-gramophone-inquisitive-needle drops-picture book-twinklepop--
Neumu = Art + Music + Words
Search Neumu:  

44.1kHz = music reviews

edited by michael goldbergcontact

Editor's note: We have activated the Neumu 44.1 kHz Archive. Use the link at the bottom of this list to access hundreds of Neumu reviews.

+ Donato Wharton - Body Isolations
+ Svalastog - Woodwork
+ Tim Hecker - Harmony In Ultraviolet
+ Rosy Parlane - Jessamine
+ Jarvis Cocker - The Jarvis Cocker Record
+ Múm - Peel Session
+ Deloris - Ten Lives
+ Minimum Chips - Lady Grey
+ Badly Drawn Boy - Born In The U.K.
+ The Hold Steady - Boys And Girls Together
+ The Blood Brothers - Young Machetes
+ The Places - Songs For Creeps
+ Camille - Le Fil
+ Wolf Eyes - Human Animal
+ Christina Carter - Electrice
+ The Decemberists - The Crane Wife
+ Junior Boys - So This Is Goodbye
+ Various Artists - Musics In The Margin
+ Rafael Toral - Space
+ Bob Dylan - Modern Times
+ Excepter - Alternation
+ Chris Thile - How To Grow A Woman From The Ground
+ Brad Mehldau - Live in Japan
+ M Ward - Post-War
+ Various Artists - Touch 25
+ The Mountain Goats - Get Lonely
+ The White Birch - Come Up For Air
+ Camera Obscura - Let's Get Out of This Country
+ Coachwhips - Double Death
+ Various Artists - Tibetan And Bhutanese Instrumental And Folk Music, Volume 2
+ Giuseppe Ielasi - Giuseppe Ielasi
+ Cex - Actual Fucking
+ Sufjan Stevens - The Avalanche
+ Leafcutter John - The Forest And The Sea
+ Carla Bozulich - Evangelista
+ Barbara Morgenstern - The Grass Is Always Greener
+ Robin Guthrie - Continental
+ Peaches - Impeach My Bush
+ Oakley Hall - Second Guessing
+ Klee - Honeysuckle
+ The Court & Spark - Hearts
+ TV On The Radio - Return To Cookie Mountain
+ Awesome Color - Awesome Color
+ Jenny Wilson - Love And Youth
+ Asobi Seksu - Citrus
+ Marsen Jules - Les Fleurs
+ The Moore Brothers - Murdered By The Moore Brothers
+ Regina Spektor - Begin To Hope
+ The 1900s - Plume Delivery EP
+ Alejandro Escovedo - The Boxing Mirror
+ Function - The Secret Miracle Fountain
+ Sonic Youth - Rather Ripped
+ Loscil - Plume
+ Boris - Pink
+ Deadboy And The Elephantmen - We Are Night Sky
+ Glissandro 70 - Glissandro 70
+ Calexico - Garden Ruin (Review #2)
+ Calexico - Garden Ruin (Review #1)
+ The Flaming Lips - At War With The Mystics
+ The Glass Family - Sleep Inside This Wheel
+ Various Artists - Songs For Sixty Five Roses
+ The Fiery Furnaces - Bitter Tea
+ Motorpsycho - Black Hole/Blank Canvas
+ The Red Krayola - Introduction
+ Metal Hearts - Socialize
+ American Princes - Less And Less
+ Sondre Lerche And The Faces Down Quartet - Duper Sessions
+ Supersilent - 7
+ Band Of Horses - Everything All The Time
+ Dudley Perkins - Expressions
+ Growing - Color Wheel
+ Red Carpet - The Noise Of Red Carpet
+ The Essex Green - Cannibal Sea
+ Espers - II
+ Wilderness - Vessel States

44.1 kHz Archive

peruse archival
Last Supper
Rune Grammofon

Da Vinci's "The Last Supper" acutely depicts a dire moment in the Christian doctrine of salvation. With the passing of seasons, however, it has suffered many a touch-up, such that some have come to consider the work "repainted" rather than "restored."

Akin is this effort from Food. While holding true to their past affinity for harmonic and melodic avant-jazz, as well as open-ended textures with no chordal center, their own Last Supper repaints their canvas with Thomas Stronen's wise-hearted, imaginative choice of brushstrokes, the breathy, idiosyncratic playing of Arve Henriksen's trumpet, and lyrical outbursts from Iain Ballamy's soprano sax. Soft, almost cottony electronics interweave these disparate elements, branching out from each, smoothing the edges into plumes of enchanting aural atmospheres.

"Exeter Opening" plunges into a display of Stronen's fractured, loose rhythm, recalling such European improvising drummers as Paul Lytton and Paul Lovens. Weaving an intricate web of sparse cymbal crashes and snare rattles, Stronen forges a rhythmic foundation around which Henriksen's plaintive, shakuhachi-like trumpet cries softly; wafting electronic threads twist together, tug apart, unravel, knot and gnarl, like multiple radio signals bleeding together on a long drive at dusk.

The most noticeable alteration from Veggie, the group's previous, much-lauded creation, is the stark atmosphere of Last Supper's opening four pieces. Here Henriksen's hand acts as a waterwheel, drawing slowly churning motifs from his instrument amid oscillating, thinly saturated electronic drones. In such a foreboding disquiet, the plodding dirge "Christcookies" develops a prayer-like feeling of incantation, a sullen piano treading alongside a murmuring array of trumpets.

The appropriately entitled "Junkfood" then subverts all that came before; as though offering an abundance of scents to one hastening through country flowerbeds: an animated pot-and-pan clatter, nimble trumpet and heavyset electronics performing something of a torrid waltz, with a bashful bystander lending support by shouting "Yeah, go!" every now and again. The plush trumpet melodies of "Daddycation," which initially appeared on Rune Grammofon's Money Will Ruin Everything, resemble Henriksen's solo work in Chiaroscuro.

The tension between Henriksen's tender trumpet and Ballamy's sax, each instrument cueing the other in an ongoing collaboration, speaks to the group's sense of economy and invention. Indeed, the near-symbiotic relationship of the two instruments affords interlaced harmonies, a mirthful spontaneity, and alluring shapes, form and substance. As the title implies, Last Supper may well see the present members about to part. For all that, this final touch-up allows attentive listeners to revel in the free play of imagination and understanding.

Note: For more info, check out the Rune Grammofon site

by Max Schaefer

-snippetcontactsnippetcontributorssnippetvisionsnippethelpsnippetcopyrightsnippetlegalsnippetterms of usesnippetThis site is Copyright © 2003 Insider One LLC