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neumu
Wednesday, October 22, 2014 
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Editor's note: We have activated the Neumu 44.1 kHz Archive. Use the link at the bottom of this list to access hundreds of Neumu reviews.

+ Donato Wharton - Body Isolations
+ Svalastog - Woodwork
+ Tim Hecker - Harmony In Ultraviolet
+ Rosy Parlane - Jessamine
+ Jarvis Cocker - The Jarvis Cocker Record
+ Múm - Peel Session
+ Deloris - Ten Lives
+ Minimum Chips - Lady Grey
+ Badly Drawn Boy - Born In The U.K.
+ The Hold Steady - Boys And Girls Together
+ The Blood Brothers - Young Machetes
+ The Places - Songs For Creeps
+ Camille - Le Fil
+ Wolf Eyes - Human Animal
+ Christina Carter - Electrice
+ The Decemberists - The Crane Wife
+ Junior Boys - So This Is Goodbye
+ Various Artists - Musics In The Margin
+ Rafael Toral - Space
+ Bob Dylan - Modern Times
+ Excepter - Alternation
+ Chris Thile - How To Grow A Woman From The Ground
+ Brad Mehldau - Live in Japan
+ M Ward - Post-War
+ Various Artists - Touch 25
+ The Mountain Goats - Get Lonely
+ The White Birch - Come Up For Air
+ Camera Obscura - Let's Get Out of This Country
+ Coachwhips - Double Death
+ Various Artists - Tibetan And Bhutanese Instrumental And Folk Music, Volume 2
+ Giuseppe Ielasi - Giuseppe Ielasi
+ Cex - Actual Fucking
+ Sufjan Stevens - The Avalanche
+ Leafcutter John - The Forest And The Sea
+ Carla Bozulich - Evangelista
+ Barbara Morgenstern - The Grass Is Always Greener
+ Robin Guthrie - Continental
+ Peaches - Impeach My Bush
+ Oakley Hall - Second Guessing
+ Klee - Honeysuckle
+ The Court & Spark - Hearts
+ TV On The Radio - Return To Cookie Mountain
+ Awesome Color - Awesome Color
+ Jenny Wilson - Love And Youth
+ Asobi Seksu - Citrus
+ Marsen Jules - Les Fleurs
+ The Moore Brothers - Murdered By The Moore Brothers
+ Regina Spektor - Begin To Hope
+ The 1900s - Plume Delivery EP
+ Alejandro Escovedo - The Boxing Mirror
+ Function - The Secret Miracle Fountain
+ Sonic Youth - Rather Ripped
+ Loscil - Plume
+ Boris - Pink
+ Deadboy And The Elephantmen - We Are Night Sky
+ Glissandro 70 - Glissandro 70
+ Calexico - Garden Ruin (Review #2)
+ Calexico - Garden Ruin (Review #1)
+ The Flaming Lips - At War With The Mystics
+ The Glass Family - Sleep Inside This Wheel
+ Various Artists - Songs For Sixty Five Roses
+ The Fiery Furnaces - Bitter Tea
+ Motorpsycho - Black Hole/Blank Canvas
+ The Red Krayola - Introduction
+ Metal Hearts - Socialize
+ American Princes - Less And Less
+ Sondre Lerche And The Faces Down Quartet - Duper Sessions
+ Supersilent - 7
+ Band Of Horses - Everything All The Time
+ Dudley Perkins - Expressions
+ Growing - Color Wheel
+ Red Carpet - The Noise Of Red Carpet
+ The Essex Green - Cannibal Sea
+ Espers - II
+ Wilderness - Vessel States

44.1 kHz Archive



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Braun (And The Mob)
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As The Veneer Of Dumbness Starts To Fade
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Back when Prefuse was still Reichiné doing tasteful tuned percussionism as Delarosa & Asora — he being D&A when post-rock was DOA, corpse defiled by the bashful boys gazin' at their kicks and too scared to sing a lick — Oliver Braun was painting the town a wicked shade of brown. His Beige broke off a (not-so-)seriously-funky sound that took the thunk-and-lurch of hip-hop über-producers and took to it with scissors, cut-cut-cutting bass and beats into spastic dance-anthems that few DJs'd ever play, all that twitching making them itch. Those who don't break out in spots when exposed to irregular rhythms and truncated tones'll find Braun's gear like one big spastickated party; and three years after the brightly-coloured Beige barney Ein Königreich Für Eine Handgranate, he returns with his third big shindig, debuting as Braun on a smartly-titled set punctuated by a jumped-up cut where a sassy soul-diva exhorts that "nothing has changed!" Change is a constant in nomenclature only, as Braun butters up a cut-up jam — actually called "Explosions in B.E.I.G.E. (Nothing Has Changed...)" — that seems keen to keep things the same. Such jive jammery, as is the Beige way, is sliced and diced into a tossed salad tossed with autoerotic fervor, the resulting strokings so staggeringly staggered that they can make you feel drunk just listening to it. Any attempts to dance with limbs other than your hands leave one with guilty feet and a feeling of arrhythmia. Stitching varying vocalists to his jabbing and stabbing take on micro-edited funk, Braun proves himself the exuberant studio monkey, "Da Flash an da F***! (Dort Oben Leuchten Die Sterne)" tossing a saucy Spanish vocal singing of "el funk" into a stop-stop-stop start-it-all-over-again party mix whose mixed bag lolls through the deflating whimpers of a flaccid balloon, a solemn Sideshow Mel slide-whistle, and blaring horns hocked from a more celebratory record. Such brassiness comes back with "Hihi! (...Genau Das Machts Ja So Bitter)," but this time he has Dennis Kessler breathing into an actual trumpet, riffing on a riff that's completely out of meter with the shards of fragmented rhythm that Braun shatters underneath — a jazz-like moment on a record that drops/namedrops the funk/"the funk" as much as any Parliament jam.


by Anthony Carew




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