Tuesday, March 5, 2024 
--archival-captured-cinematronic-continuity error-daily report-datastream-depth of field--
--drama-44.1 khz-gramophone-inquisitive-needle drops-picture book-twinklepop--
Neumu = Art + Music + Words
Search Neumu:  

44.1kHz = music reviews

edited by michael goldbergcontact

Editor's note: We have activated the Neumu 44.1 kHz Archive. Use the link at the bottom of this list to access hundreds of Neumu reviews.

+ Donato Wharton - Body Isolations
+ Svalastog - Woodwork
+ Tim Hecker - Harmony In Ultraviolet
+ Rosy Parlane - Jessamine
+ Jarvis Cocker - The Jarvis Cocker Record
+ Múm - Peel Session
+ Deloris - Ten Lives
+ Minimum Chips - Lady Grey
+ Badly Drawn Boy - Born In The U.K.
+ The Hold Steady - Boys And Girls Together
+ The Blood Brothers - Young Machetes
+ The Places - Songs For Creeps
+ Camille - Le Fil
+ Wolf Eyes - Human Animal
+ Christina Carter - Electrice
+ The Decemberists - The Crane Wife
+ Junior Boys - So This Is Goodbye
+ Various Artists - Musics In The Margin
+ Rafael Toral - Space
+ Bob Dylan - Modern Times
+ Excepter - Alternation
+ Chris Thile - How To Grow A Woman From The Ground
+ Brad Mehldau - Live in Japan
+ M Ward - Post-War
+ Various Artists - Touch 25
+ The Mountain Goats - Get Lonely
+ The White Birch - Come Up For Air
+ Camera Obscura - Let's Get Out of This Country
+ Coachwhips - Double Death
+ Various Artists - Tibetan And Bhutanese Instrumental And Folk Music, Volume 2
+ Giuseppe Ielasi - Giuseppe Ielasi
+ Cex - Actual Fucking
+ Sufjan Stevens - The Avalanche
+ Leafcutter John - The Forest And The Sea
+ Carla Bozulich - Evangelista
+ Barbara Morgenstern - The Grass Is Always Greener
+ Robin Guthrie - Continental
+ Peaches - Impeach My Bush
+ Oakley Hall - Second Guessing
+ Klee - Honeysuckle
+ The Court & Spark - Hearts
+ TV On The Radio - Return To Cookie Mountain
+ Awesome Color - Awesome Color
+ Jenny Wilson - Love And Youth
+ Asobi Seksu - Citrus
+ Marsen Jules - Les Fleurs
+ The Moore Brothers - Murdered By The Moore Brothers
+ Regina Spektor - Begin To Hope
+ The 1900s - Plume Delivery EP
+ Alejandro Escovedo - The Boxing Mirror
+ Function - The Secret Miracle Fountain
+ Sonic Youth - Rather Ripped
+ Loscil - Plume
+ Boris - Pink
+ Deadboy And The Elephantmen - We Are Night Sky
+ Glissandro 70 - Glissandro 70
+ Calexico - Garden Ruin (Review #2)
+ Calexico - Garden Ruin (Review #1)
+ The Flaming Lips - At War With The Mystics
+ The Glass Family - Sleep Inside This Wheel
+ Various Artists - Songs For Sixty Five Roses
+ The Fiery Furnaces - Bitter Tea
+ Motorpsycho - Black Hole/Blank Canvas
+ The Red Krayola - Introduction
+ Metal Hearts - Socialize
+ American Princes - Less And Less
+ Sondre Lerche And The Faces Down Quartet - Duper Sessions
+ Supersilent - 7
+ Band Of Horses - Everything All The Time
+ Dudley Perkins - Expressions
+ Growing - Color Wheel
+ Red Carpet - The Noise Of Red Carpet
+ The Essex Green - Cannibal Sea
+ Espers - II
+ Wilderness - Vessel States

44.1 kHz Archive

peruse archival
Pink Grease
This Is For Real

On their debut longplayer, glam-rock-galloping Sheffield-based shine-up Pink Grease break from their strutting stride and self-conscious salacious sleaziness to take an unlikely trip through the imagery of Haruki Murakami's sprawling novel The Wind-up Bird Chronicle, paying tribute to the subtle Japanese genius over a song (called "Wind Up Bird," yes) that's much more raw in the rock 'n' roll pants than their normal tightly-trouser'd tributes to the flamboyant heroes of their TOTP'd youth. An almost Gun-Club-ish gait prevails as Rory Lewarne sings of missing cats, days spent down wells, and a wind-up bird whose morning call, sounding in the narrator's nowhere, seems to turn the earth. From Murakami, Pink Grease take the illogical step of paying tribute, next up, to Peaches, the following song called, uh, well, "Peaches"; the story therein recalls how the sexually aggressive Canadian elecktro queen turn'd the band's hearts to stone through "cold desire." Pink Grease, in all their glam-rocking fantasia, have indeed played shows with the only Peach with the hole in the middle, but her inspiration seems more marked on the following song, where the lovelorned "Peaches" — with its chugging riff, handclaps, and faux-theremin solo — gives way to "The Nasty Show," which finds a blunt drum-machine beat beating blankly whilst clamorous rock-guitars and flaming horn-honk wail away, Lewarne warming to the right licentious lyricism as he howls: "I wanna fucking die for you/ I wanna die fucking you/ I'm fucking the day away/ Why don't you come over and play?" The concept of a sprawling, shambolic, shitfaced six-piece glam-rock band strapping on the girlie-show shenanigans of the Peaches crew, matching it with stumbling synth-punk shenanigans, and firing up six-string-slinging evocations of smacked-out rock 'n' rollers from the New York Dolls through Royal Trux must surely sound like some sort of fun, but such an equation feels a little bit contrived, at times, an elaborate game of dress-ups unleashed under the unlikely title This Is for Real — a claim which, if not deliberately ironic, sure seems the complete opposite of the fabricated fashion-conscious compilation-of-quotations that the album actually is. I mean, sure, Pink Grease are more 4REAL than the Manic Street Preachers (who always sounded like a polite British version of Guns N' Roses to me), but all their appropriations of various rock-moves seem like so many struck poses, a vogue-ing through the stage acts of enthusiasts from days gone by, a deliberate, didactic attempt at "bringing the fun back into rock music." Of course, to some that tired old song'll surely sound like the freshest of sentimental sentiments, and, thus, in a world currently doing nostalgic backflips for Scissor Sisters and The Darkness, it's easy to imagine Pink Grease piggybacking English-wank-rag hype and hyperbole to princely popularity.

by Anthony Carew

-snippetcontactsnippetcontributorssnippetvisionsnippethelpsnippetcopyrightsnippetlegalsnippetterms of usesnippetThis site is Copyright © 2003 Insider One LLC