Wednesday, February 28, 2024 
--archival-captured-cinematronic-continuity error-daily report-datastream-depth of field--
--drama-44.1 khz-gramophone-inquisitive-needle drops-picture book-twinklepop--
Neumu = Art + Music + Words
Search Neumu:  

44.1kHz = music reviews

edited by michael goldbergcontact

Editor's note: We have activated the Neumu 44.1 kHz Archive. Use the link at the bottom of this list to access hundreds of Neumu reviews.

+ Donato Wharton - Body Isolations
+ Svalastog - Woodwork
+ Tim Hecker - Harmony In Ultraviolet
+ Rosy Parlane - Jessamine
+ Jarvis Cocker - The Jarvis Cocker Record
+ Múm - Peel Session
+ Deloris - Ten Lives
+ Minimum Chips - Lady Grey
+ Badly Drawn Boy - Born In The U.K.
+ The Hold Steady - Boys And Girls Together
+ The Blood Brothers - Young Machetes
+ The Places - Songs For Creeps
+ Camille - Le Fil
+ Wolf Eyes - Human Animal
+ Christina Carter - Electrice
+ The Decemberists - The Crane Wife
+ Junior Boys - So This Is Goodbye
+ Various Artists - Musics In The Margin
+ Rafael Toral - Space
+ Bob Dylan - Modern Times
+ Excepter - Alternation
+ Chris Thile - How To Grow A Woman From The Ground
+ Brad Mehldau - Live in Japan
+ M Ward - Post-War
+ Various Artists - Touch 25
+ The Mountain Goats - Get Lonely
+ The White Birch - Come Up For Air
+ Camera Obscura - Let's Get Out of This Country
+ Coachwhips - Double Death
+ Various Artists - Tibetan And Bhutanese Instrumental And Folk Music, Volume 2
+ Giuseppe Ielasi - Giuseppe Ielasi
+ Cex - Actual Fucking
+ Sufjan Stevens - The Avalanche
+ Leafcutter John - The Forest And The Sea
+ Carla Bozulich - Evangelista
+ Barbara Morgenstern - The Grass Is Always Greener
+ Robin Guthrie - Continental
+ Peaches - Impeach My Bush
+ Oakley Hall - Second Guessing
+ Klee - Honeysuckle
+ The Court & Spark - Hearts
+ TV On The Radio - Return To Cookie Mountain
+ Awesome Color - Awesome Color
+ Jenny Wilson - Love And Youth
+ Asobi Seksu - Citrus
+ Marsen Jules - Les Fleurs
+ The Moore Brothers - Murdered By The Moore Brothers
+ Regina Spektor - Begin To Hope
+ The 1900s - Plume Delivery EP
+ Alejandro Escovedo - The Boxing Mirror
+ Function - The Secret Miracle Fountain
+ Sonic Youth - Rather Ripped
+ Loscil - Plume
+ Boris - Pink
+ Deadboy And The Elephantmen - We Are Night Sky
+ Glissandro 70 - Glissandro 70
+ Calexico - Garden Ruin (Review #2)
+ Calexico - Garden Ruin (Review #1)
+ The Flaming Lips - At War With The Mystics
+ The Glass Family - Sleep Inside This Wheel
+ Various Artists - Songs For Sixty Five Roses
+ The Fiery Furnaces - Bitter Tea
+ Motorpsycho - Black Hole/Blank Canvas
+ The Red Krayola - Introduction
+ Metal Hearts - Socialize
+ American Princes - Less And Less
+ Sondre Lerche And The Faces Down Quartet - Duper Sessions
+ Supersilent - 7
+ Band Of Horses - Everything All The Time
+ Dudley Perkins - Expressions
+ Growing - Color Wheel
+ Red Carpet - The Noise Of Red Carpet
+ The Essex Green - Cannibal Sea
+ Espers - II
+ Wilderness - Vessel States

44.1 kHz Archive

peruse archival
The Decemberists
The Tain EP

How good are The Decemberists? Considering the arcing, untethered trend of their first three records, a better question might be: How great will they become? While much has been made of the band's niche sound — a singular fusion of Dickensian lyrics with ear-sticking, prettified pop sea-shanties — an easier reference point for the uninitiated might be a less-damaged Neutral Milk Hotel, or perhaps The Pogues if Shane MacGowan had gone sober, attended grad school at Oxford and settled for a miserable day job spicing up dusty, verbose history volumes.

With frontman Colin Meloy's first two effortless efforts, the crystalline debut Castaways and Cutouts and romanticized follow-up Her Majesty The Decemberists, he's penned two career-defining records that sculpt out a signature sound within the American pop landscape, both longplayers so jam-packed with jocular Victorian allegories and a sweetly ear-pleasing joie de vivre as to seem ready to burst at their accomplished seams. For this latest recording, The Decemberists take their love of conceptual composition to new —and, in keeping with the bandís raison d'être, celebrated old — heights. The Tain is a single song, broken down into five musical stanzas, that structurally recalls, in its distended theme restatement and dramatic rise-and-fall throes, many a Pink Floyd album-opener. Pick your trip: Atom Heart Mother, Wish You Were Here and Animals all lead off with an epic, Tain-like bloat, but it's the tortured protagonist and theatrical metal-mashing of The Wall that this multi-part tune more closely resembles.

In the greatest stylistic leap yet for these Anglophilic allusion-ists, Meloy takes the "Tain Bo Cuailinge" — the epicenter of Ireland's gargantuan eighth-century Ulster Cycle of Heroic Tales — and twists it into a brackish and brilliant 18-minute hard-rock symphony, replete with tuneful Ozzfest riffage, ominous twilight tonality and lyrics that achieve a new level of sophistication for this notoriously literate gang. "My name is Leslie Anne Levine/ My mother birthed me down a dry ravine," Meloy sang at the beginning of Castaways and Cutouts, establishing early his proclivity for speaking either to or as a despondent, downtrodden lead character, and the trend continues to even greater effect here. The Tain opens with a carefully measured, Ozzy-approved acoustic guitar line, an indie-approved "Iron Man" sans amplification. "Here upon this pillow/ Made of reed and willow," Meloy chimes in, speaking as the Crone in the record's creepy bookend verses, "You're a fickle little twister/ Are you sweet on your sister?/ Your fallow won't leave you alone."

Immediately after this limey limerick ends, the band wraps a bombastic accompaniment around the opening guitar melody, and trades sonic bombs with Meloy's sardonic barbs before melting off dreamily into familiar Castaways territory. This dexterous control of dynamics is what sets The Tain apart from their previous work: After a rocks-off second movement that sounds like Jeff Mangum fronting Led Zeppelin, and a beautiful middle section that recalls the willowing ballads on which the band built its name, drummer Rachel Blumberg reprises her role as the vocal counterpoint to Meloy's sideways grate. Evoking her memorable turn as an Oliver Twist orphan on Her Majesty's "The Chimbley Sweep," Blumberg takes the songwriting reins from Meloy for the record's fourth piece, a tragicomic war-widow's lament whispered in false falsetto by Blumberg over an ersatz carnival waltz of glockenspiel, accordion and Hammond organ. Baited by her undying trio of snares, Meloy snatches back the mic and leads the band through The Tain's closing coda, a reworking of the opening theme framing Hendrixian, "Manic Depression"-like triples between Blumberg's fervent skin-work and Meloy's spate of spite, the latter spitting in perfect iambic pentameter, "Darling dear/ What have you done/ Your clothes are torn/ Your makeup runs."

It's poetry in manic motion, a frantic finish that fans of The Decemberists' Manchester-by-way-of-Missoula style never could've seen coming; in toto, The Tain belies its EP exterior with a surprising and salty 18-minute odyssey, leaving listeners sated, spent and still salivating for more.

by Noah Bonaparte

-snippetcontactsnippetcontributorssnippetvisionsnippethelpsnippetcopyrightsnippetlegalsnippetterms of usesnippetThis site is Copyright © 2003 Insider One LLC