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neumu
Thursday, November 23, 2017 
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Editor's note: We have activated the Neumu 44.1 kHz Archive. Use the link at the bottom of this list to access hundreds of Neumu reviews.

+ Donato Wharton - Body Isolations
+ Svalastog - Woodwork
+ Tim Hecker - Harmony In Ultraviolet
+ Rosy Parlane - Jessamine
+ Jarvis Cocker - The Jarvis Cocker Record
+ Múm - Peel Session
+ Deloris - Ten Lives
+ Minimum Chips - Lady Grey
+ Badly Drawn Boy - Born In The U.K.
+ The Hold Steady - Boys And Girls Together
+ The Blood Brothers - Young Machetes
+ The Places - Songs For Creeps
+ Camille - Le Fil
+ Wolf Eyes - Human Animal
+ Christina Carter - Electrice
+ The Decemberists - The Crane Wife
+ Junior Boys - So This Is Goodbye
+ Various Artists - Musics In The Margin
+ Rafael Toral - Space
+ Bob Dylan - Modern Times
+ Excepter - Alternation
+ Chris Thile - How To Grow A Woman From The Ground
+ Brad Mehldau - Live in Japan
+ M Ward - Post-War
+ Various Artists - Touch 25
+ The Mountain Goats - Get Lonely
+ The White Birch - Come Up For Air
+ Camera Obscura - Let's Get Out of This Country
+ Coachwhips - Double Death
+ Various Artists - Tibetan And Bhutanese Instrumental And Folk Music, Volume 2
+ Giuseppe Ielasi - Giuseppe Ielasi
+ Cex - Actual Fucking
+ Sufjan Stevens - The Avalanche
+ Leafcutter John - The Forest And The Sea
+ Carla Bozulich - Evangelista
+ Barbara Morgenstern - The Grass Is Always Greener
+ Robin Guthrie - Continental
+ Peaches - Impeach My Bush
+ Oakley Hall - Second Guessing
+ Klee - Honeysuckle
+ The Court & Spark - Hearts
+ TV On The Radio - Return To Cookie Mountain
+ Awesome Color - Awesome Color
+ Jenny Wilson - Love And Youth
+ Asobi Seksu - Citrus
+ Marsen Jules - Les Fleurs
+ The Moore Brothers - Murdered By The Moore Brothers
+ Regina Spektor - Begin To Hope
+ The 1900s - Plume Delivery EP
+ Alejandro Escovedo - The Boxing Mirror
+ Function - The Secret Miracle Fountain
+ Sonic Youth - Rather Ripped
+ Loscil - Plume
+ Boris - Pink
+ Deadboy And The Elephantmen - We Are Night Sky
+ Glissandro 70 - Glissandro 70
+ Calexico - Garden Ruin (Review #2)
+ Calexico - Garden Ruin (Review #1)
+ The Flaming Lips - At War With The Mystics
+ The Glass Family - Sleep Inside This Wheel
+ Various Artists - Songs For Sixty Five Roses
+ The Fiery Furnaces - Bitter Tea
+ Motorpsycho - Black Hole/Blank Canvas
+ The Red Krayola - Introduction
+ Metal Hearts - Socialize
+ American Princes - Less And Less
+ Sondre Lerche And The Faces Down Quartet - Duper Sessions
+ Supersilent - 7
+ Band Of Horses - Everything All The Time
+ Dudley Perkins - Expressions
+ Growing - Color Wheel
+ Red Carpet - The Noise Of Red Carpet
+ The Essex Green - Cannibal Sea
+ Espers - II
+ Wilderness - Vessel States

44.1 kHz Archive



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artist
M. Ward
recording
The Transfiguration Of Vincent
Merge/ Domino
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"TO KEEP THE LOSS ALIVE AND BEHIND ME." Life is a series of significant discoveries that are really not worth having at all. Your friends consistently talk behind your back, people remain poor, politics is immobile, our own families are borderline racist, socializing is a circuit of disaster, wretchedness reigns. Dishonesty and pangs, broken and contrite hearts, ignominy, sorrow, sufferings, and deaths always. Tomorrow mornings for the rest of your life. A succession of imperceptible and unnameable losses, like the imaginary-negative movement of an hour hand. What a downer, huh?

One such indeterminate loss animates M. Ward's latest album, just as fire makes a body of the match. "I REMEMBER BLIND JOE DEATH." To keep the loss alive and behind him, M. Ward has recorded his latest album. A rhetoric of the possible, kaironomia, M. Ward's songs sing happy and elusive, plaintive, a ghostly power. No one sounded happier ("Helicopter"). No one sounded sadder ("Let's Dance," "Poor Boy, Minor Key"). No one sounded more alive. Did anyone sound so little as if they were grieving? "I'M WAITING FOR A SIGN, O IT LOOKS JUST LIKE ANOTHER LINE." An album's hauntonomy is so rarely accessible but seductive in glimpses, those bits of the everyday that have gone into making it what it is (the death revealed in the sleevenotes). Every recording's an indecipherable mathematics of tedious creativity (death is banal too, y'know).

So we're all left, like listeners, to make sense of our own emotions. Seul contre tous, ha! I have emotions. I love you M. Ward (that's 1) though sometimes you make me sad (2) but mostly you make me happy (3) happy (4) happy (5) and then I smile (5.5) or grin (6) as I walk down the street or sit languid (7) on train platforms into town, thinking about what you're doing now. ("Is he thinking about me?")

People like you, singer/songwriters I guess, normally bore me vertical. I love how your guitar sounds really old when it's probably just slightly de-tuned and played far from the mic. Or how your wispy singing sounds like you've doubled up the vocals. I used to make a game of your initial, I liked making up letters to sit in between the "M" and dot. I have screeds of these jotted in my notebook: "ichael," "isery," "iserly," "artin,' etc. I found out early that you already had the slightly boring "att" as backup, but I carried on regardless. (I'm sure he isn't reading but this is the way I talk to myself.) I love you and your album, M. Ward.


by David Howie




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