Thursday, February 22, 2024 
--archival-captured-cinematronic-continuity error-daily report-datastream-depth of field--
--drama-44.1 khz-gramophone-inquisitive-needle drops-picture book-twinklepop--
Neumu = Art + Music + Words
Search Neumu:  

44.1kHz = music reviews

edited by michael goldbergcontact

Editor's note: We have activated the Neumu 44.1 kHz Archive. Use the link at the bottom of this list to access hundreds of Neumu reviews.

+ Donato Wharton - Body Isolations
+ Svalastog - Woodwork
+ Tim Hecker - Harmony In Ultraviolet
+ Rosy Parlane - Jessamine
+ Jarvis Cocker - The Jarvis Cocker Record
+ Múm - Peel Session
+ Deloris - Ten Lives
+ Minimum Chips - Lady Grey
+ Badly Drawn Boy - Born In The U.K.
+ The Hold Steady - Boys And Girls Together
+ The Blood Brothers - Young Machetes
+ The Places - Songs For Creeps
+ Camille - Le Fil
+ Wolf Eyes - Human Animal
+ Christina Carter - Electrice
+ The Decemberists - The Crane Wife
+ Junior Boys - So This Is Goodbye
+ Various Artists - Musics In The Margin
+ Rafael Toral - Space
+ Bob Dylan - Modern Times
+ Excepter - Alternation
+ Chris Thile - How To Grow A Woman From The Ground
+ Brad Mehldau - Live in Japan
+ M Ward - Post-War
+ Various Artists - Touch 25
+ The Mountain Goats - Get Lonely
+ The White Birch - Come Up For Air
+ Camera Obscura - Let's Get Out of This Country
+ Coachwhips - Double Death
+ Various Artists - Tibetan And Bhutanese Instrumental And Folk Music, Volume 2
+ Giuseppe Ielasi - Giuseppe Ielasi
+ Cex - Actual Fucking
+ Sufjan Stevens - The Avalanche
+ Leafcutter John - The Forest And The Sea
+ Carla Bozulich - Evangelista
+ Barbara Morgenstern - The Grass Is Always Greener
+ Robin Guthrie - Continental
+ Peaches - Impeach My Bush
+ Oakley Hall - Second Guessing
+ Klee - Honeysuckle
+ The Court & Spark - Hearts
+ TV On The Radio - Return To Cookie Mountain
+ Awesome Color - Awesome Color
+ Jenny Wilson - Love And Youth
+ Asobi Seksu - Citrus
+ Marsen Jules - Les Fleurs
+ The Moore Brothers - Murdered By The Moore Brothers
+ Regina Spektor - Begin To Hope
+ The 1900s - Plume Delivery EP
+ Alejandro Escovedo - The Boxing Mirror
+ Function - The Secret Miracle Fountain
+ Sonic Youth - Rather Ripped
+ Loscil - Plume
+ Boris - Pink
+ Deadboy And The Elephantmen - We Are Night Sky
+ Glissandro 70 - Glissandro 70
+ Calexico - Garden Ruin (Review #2)
+ Calexico - Garden Ruin (Review #1)
+ The Flaming Lips - At War With The Mystics
+ The Glass Family - Sleep Inside This Wheel
+ Various Artists - Songs For Sixty Five Roses
+ The Fiery Furnaces - Bitter Tea
+ Motorpsycho - Black Hole/Blank Canvas
+ The Red Krayola - Introduction
+ Metal Hearts - Socialize
+ American Princes - Less And Less
+ Sondre Lerche And The Faces Down Quartet - Duper Sessions
+ Supersilent - 7
+ Band Of Horses - Everything All The Time
+ Dudley Perkins - Expressions
+ Growing - Color Wheel
+ Red Carpet - The Noise Of Red Carpet
+ The Essex Green - Cannibal Sea
+ Espers - II
+ Wilderness - Vessel States

44.1 kHz Archive

peruse archival
Hypnotic Underworld
Drag City

A full five years on from the time Ghost guns-'n'-rosered their discography with the simultaneous release of two longplayers — Snuffbox Immanence and Tune In, Turn On, Free Tibet — the unwashed acid-folk hippies have finally gotten around to reconvening and making a follow-up. After slowly building up (and up) their Gong'd-out gear through such choice discs as Ghost Temple Stone and Lamarabirabi, Masaki Batoh's free-wheelin' free-playin' freakniks went for broke with that making-two-albums-at-once gesture, the lengthy layoff since seeming to suggest that the grandness of these two discs — both records dueling to be the grandest evocation of Ghost in the band's canon — left the combo artistically exhausted. In the time since, their three main men — Batoh, Kurihara, Ogino — hooked up with holy folkie sweethearts Damon & Naomi on their luminous With Ghost longplayer; and Kurihara has since gone on to solo his way away in the D&N live show, his nimble-fingered electric leads heard all over the D&N live-show disc Song to the Siren: Live in San Sebastian. Whilst the Acid Mothers Temple crew have released upwards of 50 records in the same five-year span (no, really), ensconcing themselves in the pop-cultural consciousness as the pre-eminent J-psych troupe, Ghost have been invisible, out of sight and out of mind, their presence lingering only in an almost-forgotten spirit. Hypnotic Underworld, the band's seventh album, heralds their return, though you'd be hard pressed to convince anyone this is Ghost returning at the top of their game, still holding fort on high at the top of the psych-rock mountain. Rather, it finds a grown-up Ghost, recording in clearer fidelity with clearer focus and, perhaps, a clearer state of mind, this grown-up Ghost keen on veering into creepy ambience, free-jazz flourishes, Celtic folk vibes, and some of the straightest psychedelia they've offered thus far. The record even starts out with a titular piece that showcases much of this recent wanderlust, its opening four-song suite starting in desolate soundtracking before finding the combo settling into a strangely tasteful gait, one whose chops-ness doesn't, thankfully, set a tone for the rest of the disc. Still, with a curious, unctuous opening like that, Hypnotic Underworld is, paradoxically, actually the least hypnotic and least underground album Ghost have made thus far, seeming to be born of a new band, one reconvening after the initial thrust has worn off, one seeing what being Ghost means 15 years after their beginning. Thereby, it's not a band captured in full flight, but, rather, a band getting back on the bike. And the success of this new-again endeavor is best surmised like this: this disc finds its greatest success when Ghost cover others, with the standout songs being versions of tunes by Earth & Fire and Syd Barrett, no less.

by Anthony Carew

-snippetcontactsnippetcontributorssnippetvisionsnippethelpsnippetcopyrightsnippetlegalsnippetterms of usesnippetThis site is Copyright © 2003 Insider One LLC