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neumu
Wednesday, November 22, 2017 
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+ Donato Wharton - Body Isolations
+ Svalastog - Woodwork
+ Tim Hecker - Harmony In Ultraviolet
+ Rosy Parlane - Jessamine
+ Jarvis Cocker - The Jarvis Cocker Record
+ Múm - Peel Session
+ Deloris - Ten Lives
+ Minimum Chips - Lady Grey
+ Badly Drawn Boy - Born In The U.K.
+ The Hold Steady - Boys And Girls Together
+ The Blood Brothers - Young Machetes
+ The Places - Songs For Creeps
+ Camille - Le Fil
+ Wolf Eyes - Human Animal
+ Christina Carter - Electrice
+ The Decemberists - The Crane Wife
+ Junior Boys - So This Is Goodbye
+ Various Artists - Musics In The Margin
+ Rafael Toral - Space
+ Bob Dylan - Modern Times
+ Excepter - Alternation
+ Chris Thile - How To Grow A Woman From The Ground
+ Brad Mehldau - Live in Japan
+ M Ward - Post-War
+ Various Artists - Touch 25
+ The Mountain Goats - Get Lonely
+ The White Birch - Come Up For Air
+ Camera Obscura - Let's Get Out of This Country
+ Coachwhips - Double Death
+ Various Artists - Tibetan And Bhutanese Instrumental And Folk Music, Volume 2
+ Giuseppe Ielasi - Giuseppe Ielasi
+ Cex - Actual Fucking
+ Sufjan Stevens - The Avalanche
+ Leafcutter John - The Forest And The Sea
+ Carla Bozulich - Evangelista
+ Barbara Morgenstern - The Grass Is Always Greener
+ Robin Guthrie - Continental
+ Peaches - Impeach My Bush
+ Oakley Hall - Second Guessing
+ Klee - Honeysuckle
+ The Court & Spark - Hearts
+ TV On The Radio - Return To Cookie Mountain
+ Awesome Color - Awesome Color
+ Jenny Wilson - Love And Youth
+ Asobi Seksu - Citrus
+ Marsen Jules - Les Fleurs
+ The Moore Brothers - Murdered By The Moore Brothers
+ Regina Spektor - Begin To Hope
+ The 1900s - Plume Delivery EP
+ Alejandro Escovedo - The Boxing Mirror
+ Function - The Secret Miracle Fountain
+ Sonic Youth - Rather Ripped
+ Loscil - Plume
+ Boris - Pink
+ Deadboy And The Elephantmen - We Are Night Sky
+ Glissandro 70 - Glissandro 70
+ Calexico - Garden Ruin (Review #2)
+ Calexico - Garden Ruin (Review #1)
+ The Flaming Lips - At War With The Mystics
+ The Glass Family - Sleep Inside This Wheel
+ Various Artists - Songs For Sixty Five Roses
+ The Fiery Furnaces - Bitter Tea
+ Motorpsycho - Black Hole/Blank Canvas
+ The Red Krayola - Introduction
+ Metal Hearts - Socialize
+ American Princes - Less And Less
+ Sondre Lerche And The Faces Down Quartet - Duper Sessions
+ Supersilent - 7
+ Band Of Horses - Everything All The Time
+ Dudley Perkins - Expressions
+ Growing - Color Wheel
+ Red Carpet - The Noise Of Red Carpet
+ The Essex Green - Cannibal Sea
+ Espers - II
+ Wilderness - Vessel States

44.1 kHz Archive



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artist
The Rapture
recording
Echoes
DFA
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rating


Hey there you looking o so blue, the dance floor's that-a-way, man, and, man, since the last time they're dared deign to deliver a longplayer, that's where The Rapture have been hanging. Or where they've been hung, perhaps, hanging the DJs playing the gear they've styled up since they (the rock band) ditch'd the white-noise and woe of their eyeliner'd Californian days/daze to dress up in the most rockist haircuts, cowbells tonking and beats beating and hearts all fluttering like a butterfly's wings as we heard that "House of Jealous Lovers" kicking out jams over and again. Of course, in between that lost-in-all-this-new-rock-hype last longplayer — 1999's short, sharp, shrill, noisy, neo-new/no-waveist Mirror (which came replete with banging Vinyl-Communications-styled remix from a youthful pre-T6-empire Kid606, and an early version of "Olio" much more Casiotonic than that which has greet'd DJs of recent) and this latest longplayer, there have been bits and pieces that've been leading up to the singles from this disc that'd moisten pants o'er the last year or so. To point: their Sub Pop action, Out of the Races and Onto the Tracks, warmed them up a little to working with friendly fidelity and non-spasticky rhythms, and, then, their Insound tour-support disc featured cuts cut in rough form that'd form the blueprint for so much of Echoes. Of course, this gear was forgotten when the Underdog sold London on the merits of "House of Jealous Lovers" via his Output imprint. By then The Rapture were a rock band going more hipster new-wave than hateful no-wave, and, more importantly, a rock band based, now, in New York City. Meaning they actually had less chance of escaping hype than they did of copping it. All this column-inching action has made it seem like the wait for Echoes has been interminable; and, well, when the opening ready-for-beatmixing bars from said "House" hit start to poke through the staged crowd screams from this longplayer's previous number, just as the disc is hitting its stride, well, you realize how many times you've heard this b'fore, compared to the brand-new bits stitched in amongst such sound. Of course, maybe you've never head it b'fore. If so, I have no idea what to say to you. So maybe go read something else. But, uh, now, uh: There are bits here that, still, fall in between the tracks of the Onto the Tracks stuff and the Mirror stuff and the DFA stuff and stuff. Like "Infatuation," a slice of grandiose balladry whose acoustic guitars and fey vocals and looming mood and spun shadows hark up Echo & the Bunnymen or Pornography-type Cure or something; or, then, "Open Up Your Heart," in which Luke Jenner bets a tenner he can break your lady's heart, fronting in passionate fashion out front of misty/distant piano-balladic tribute to jukebox devotionals of yore. Meaning that kitting out The Rapture as being just one thing — disco-punk upstarts, upwardly-mobile scenester vets, a haircut band, floor-filling fashionista stylists, the best rock band of this latest batch of rock bands, whatever — isn't the wisest move, my friend.


by Anthony Carew




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