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+ Donato Wharton - Body Isolations
+ Svalastog - Woodwork
+ Tim Hecker - Harmony In Ultraviolet
+ Rosy Parlane - Jessamine
+ Jarvis Cocker - The Jarvis Cocker Record
+ Múm - Peel Session
+ Deloris - Ten Lives
+ Minimum Chips - Lady Grey
+ Badly Drawn Boy - Born In The U.K.
+ The Hold Steady - Boys And Girls Together
+ The Blood Brothers - Young Machetes
+ The Places - Songs For Creeps
+ Camille - Le Fil
+ Wolf Eyes - Human Animal
+ Christina Carter - Electrice
+ The Decemberists - The Crane Wife
+ Junior Boys - So This Is Goodbye
+ Various Artists - Musics In The Margin
+ Rafael Toral - Space
+ Bob Dylan - Modern Times
+ Excepter - Alternation
+ Chris Thile - How To Grow A Woman From The Ground
+ Brad Mehldau - Live in Japan
+ M Ward - Post-War
+ Various Artists - Touch 25
+ The Mountain Goats - Get Lonely
+ The White Birch - Come Up For Air
+ Camera Obscura - Let's Get Out of This Country
+ Coachwhips - Double Death
+ Various Artists - Tibetan And Bhutanese Instrumental And Folk Music, Volume 2
+ Giuseppe Ielasi - Giuseppe Ielasi
+ Cex - Actual Fucking
+ Sufjan Stevens - The Avalanche
+ Leafcutter John - The Forest And The Sea
+ Carla Bozulich - Evangelista
+ Barbara Morgenstern - The Grass Is Always Greener
+ Robin Guthrie - Continental
+ Peaches - Impeach My Bush
+ Oakley Hall - Second Guessing
+ Klee - Honeysuckle
+ The Court & Spark - Hearts
+ TV On The Radio - Return To Cookie Mountain
+ Awesome Color - Awesome Color
+ Jenny Wilson - Love And Youth
+ Asobi Seksu - Citrus
+ Marsen Jules - Les Fleurs
+ The Moore Brothers - Murdered By The Moore Brothers
+ Regina Spektor - Begin To Hope
+ The 1900s - Plume Delivery EP
+ Alejandro Escovedo - The Boxing Mirror
+ Function - The Secret Miracle Fountain
+ Sonic Youth - Rather Ripped
+ Loscil - Plume
+ Boris - Pink
+ Deadboy And The Elephantmen - We Are Night Sky
+ Glissandro 70 - Glissandro 70
+ Calexico - Garden Ruin (Review #2)
+ Calexico - Garden Ruin (Review #1)
+ The Flaming Lips - At War With The Mystics
+ The Glass Family - Sleep Inside This Wheel
+ Various Artists - Songs For Sixty Five Roses
+ The Fiery Furnaces - Bitter Tea
+ Motorpsycho - Black Hole/Blank Canvas
+ The Red Krayola - Introduction
+ Metal Hearts - Socialize
+ American Princes - Less And Less
+ Sondre Lerche And The Faces Down Quartet - Duper Sessions
+ Supersilent - 7
+ Band Of Horses - Everything All The Time
+ Dudley Perkins - Expressions
+ Growing - Color Wheel
+ Red Carpet - The Noise Of Red Carpet
+ The Essex Green - Cannibal Sea
+ Espers - II
+ Wilderness - Vessel States

44.1 kHz Archive

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Band Red

Let me just spit it out from the get-go — KaitO lead singer/guitarist Niki Colk sounds like Yeah Yeah Yeahs' Karen O. Wait, wait, wait — I should say O sounds like Colk, should I not? KaitO did form two years before the Yeahs. What's the matter anyhow? Neither are rip-off imitators. I'm just putting it on the table — may as well start the snubbing, name-calling and finger-pointing now. One is bound to be dubbed "wannabe" of the other sooner than later. And with the Yeahs' current rise to stardom, poor Colk will likely suffer the brunt of it. Whatever, right? Who cares, right? I don't, you shouldn't. But someone will. But, you and me, we'll be over it, we've already discussed and we've agreed it to be a mere coincidence, isn't that right? Right.

How rude we've been, spending all this time chit-chatting about nothing to do with music, just meaningless comparisons. So unfair it is. Last comparison (I promise): KaitO's sound is little like that of the Yeahs or vice versa. We got bass, oh yes, we've got bass.

KaitO — Colk, bassist Gemma Cullingford, guitarist David Lake and drummer Dee Quantrill — make melodic/noisy punk that sounds as if it were recorded in a garage. The UK foursome's beats are utterly infectious, but the instrumentation still feels messy in a fun, punk way. "Enemyline" opens Band Red with a rather sluggish beat that's infiltrated with spastic, high-pitched guitar and spazzed-out, vibrating vocals. "Try Me Out" first feels like Siouxsie & the Banshees for its minimal dance beats and distortion on the mic, then breaks into the most Karen O-sound-alike singing of the record: "Why not try me out, out, out," Colk gasps, quivers and shrieks. "Anamoy" stutters along most steadfastly on rollicking rhythms and quick-repeated back-up breathy gasps, anchored in bass, while "A.S.A. to Accuracy" feels the most like old-school punk for its gritty, simplistic riff backed by a single chord on repeat. The wiry, all-instrumental "?" is perhaps a question mark because, lacking lyrics, it has no subject to evoke a title. Closer "3am" is fed by the tick-tock of a clock; a one-two guitar line, airy, soft, slides in every now and then to woo you delicately.

Band Red spins bouncy, raw, sloppy and slightly erratic punk that can stake a claim for carving out a jagged edge of its own, complete with loveable, contagious sing-along sounds. And the fact that KaitO's noise is broken, distorted and just plain fucked-up at times makes them that much more dig-able.

Whether KaitO put the O in Karen or Karen stuck the O to them is irrelevant 'cause they're both so darn great — who wants to ruin it for everyone? Not me, not you. Right? Right.

by Jenny Tatone

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