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neumu
Wednesday, November 22, 2017 
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Editor's note: We have activated the Neumu 44.1 kHz Archive. Use the link at the bottom of this list to access hundreds of Neumu reviews.

+ Donato Wharton - Body Isolations
+ Svalastog - Woodwork
+ Tim Hecker - Harmony In Ultraviolet
+ Rosy Parlane - Jessamine
+ Jarvis Cocker - The Jarvis Cocker Record
+ Múm - Peel Session
+ Deloris - Ten Lives
+ Minimum Chips - Lady Grey
+ Badly Drawn Boy - Born In The U.K.
+ The Hold Steady - Boys And Girls Together
+ The Blood Brothers - Young Machetes
+ The Places - Songs For Creeps
+ Camille - Le Fil
+ Wolf Eyes - Human Animal
+ Christina Carter - Electrice
+ The Decemberists - The Crane Wife
+ Junior Boys - So This Is Goodbye
+ Various Artists - Musics In The Margin
+ Rafael Toral - Space
+ Bob Dylan - Modern Times
+ Excepter - Alternation
+ Chris Thile - How To Grow A Woman From The Ground
+ Brad Mehldau - Live in Japan
+ M Ward - Post-War
+ Various Artists - Touch 25
+ The Mountain Goats - Get Lonely
+ The White Birch - Come Up For Air
+ Camera Obscura - Let's Get Out of This Country
+ Coachwhips - Double Death
+ Various Artists - Tibetan And Bhutanese Instrumental And Folk Music, Volume 2
+ Giuseppe Ielasi - Giuseppe Ielasi
+ Cex - Actual Fucking
+ Sufjan Stevens - The Avalanche
+ Leafcutter John - The Forest And The Sea
+ Carla Bozulich - Evangelista
+ Barbara Morgenstern - The Grass Is Always Greener
+ Robin Guthrie - Continental
+ Peaches - Impeach My Bush
+ Oakley Hall - Second Guessing
+ Klee - Honeysuckle
+ The Court & Spark - Hearts
+ TV On The Radio - Return To Cookie Mountain
+ Awesome Color - Awesome Color
+ Jenny Wilson - Love And Youth
+ Asobi Seksu - Citrus
+ Marsen Jules - Les Fleurs
+ The Moore Brothers - Murdered By The Moore Brothers
+ Regina Spektor - Begin To Hope
+ The 1900s - Plume Delivery EP
+ Alejandro Escovedo - The Boxing Mirror
+ Function - The Secret Miracle Fountain
+ Sonic Youth - Rather Ripped
+ Loscil - Plume
+ Boris - Pink
+ Deadboy And The Elephantmen - We Are Night Sky
+ Glissandro 70 - Glissandro 70
+ Calexico - Garden Ruin (Review #2)
+ Calexico - Garden Ruin (Review #1)
+ The Flaming Lips - At War With The Mystics
+ The Glass Family - Sleep Inside This Wheel
+ Various Artists - Songs For Sixty Five Roses
+ The Fiery Furnaces - Bitter Tea
+ Motorpsycho - Black Hole/Blank Canvas
+ The Red Krayola - Introduction
+ Metal Hearts - Socialize
+ American Princes - Less And Less
+ Sondre Lerche And The Faces Down Quartet - Duper Sessions
+ Supersilent - 7
+ Band Of Horses - Everything All The Time
+ Dudley Perkins - Expressions
+ Growing - Color Wheel
+ Red Carpet - The Noise Of Red Carpet
+ The Essex Green - Cannibal Sea
+ Espers - II
+ Wilderness - Vessel States

44.1 kHz Archive



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Slick Fifty Seven
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The Ghost Of Bonnie Parker
Laughing Outlaw
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If you enjoyed Early Tracks from Old 97's, you'll most certainly be pleasured by Slick Fifty Seven's latest. Maybe they've blatantly borrowed; maybe they've never heard 'em — who cares? It's sped-up, stomping, galloping, tear-in-your-beer country, with a dash of punk attitude that most always employs the distinctive C&W croons of the pedal steel and twangy strums of the guitar. There's not a whole lot of room to stray from the whiskey-drenched, campfire-lit, giddyup formula. How unique you are is not the pertinent question here. How good are you, and how much do you mean it, might be better questions. More often than not, one comes across crappy country made by tough-boy wannabes who have no skill, and worse, no passion — their bland ditties do nothing but make you want to turn off the stereo.

Less frequently, as with this Australian trio's The Ghost of Bonnie Parker, you'll discover adept, heartfelt songwriting that gets your toes tapping and your ears listening. Utilizing punk's swift one-two beats with country's whiny laments and heartbroken angst, the record is simple, without lyrical or arty depth. You can hear the band's youthful exuberance — it's perfect for a lighthearted listen. Most (maybe all) tracks touch on relationship issues — lost loves, broken hearts, etc. Some songs ("Still Waitin'," "So Slow") assume a pace and attitude that evokes a feel more punk than country, reminding the listener that the boundaries between the grandpappy and grandkid often feel nonexistent.

There are also a couple of sad, ballad-like numbers, "Heading to My Ex-Girlfriend's Wedding" and "Stormy Night." Just as the Old 97's once found solace in country's open arms (come cry with me), Slick Fifty Seven embrace punk's angst and C&W's free shoulder to come out with a cow-punk record that proves they're pretty all right and — by golly — I think they mean it.


by Jenny Tatone




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