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Editor's note: We have activated the Neumu 44.1 kHz Archive. Use the link at the bottom of this list to access hundreds of Neumu reviews.

+ Donato Wharton - Body Isolations
+ Svalastog - Woodwork
+ Tim Hecker - Harmony In Ultraviolet
+ Rosy Parlane - Jessamine
+ Jarvis Cocker - The Jarvis Cocker Record
+ Múm - Peel Session
+ Deloris - Ten Lives
+ Minimum Chips - Lady Grey
+ Badly Drawn Boy - Born In The U.K.
+ The Hold Steady - Boys And Girls Together
+ The Blood Brothers - Young Machetes
+ The Places - Songs For Creeps
+ Camille - Le Fil
+ Wolf Eyes - Human Animal
+ Christina Carter - Electrice
+ The Decemberists - The Crane Wife
+ Junior Boys - So This Is Goodbye
+ Various Artists - Musics In The Margin
+ Rafael Toral - Space
+ Bob Dylan - Modern Times
+ Excepter - Alternation
+ Chris Thile - How To Grow A Woman From The Ground
+ Brad Mehldau - Live in Japan
+ M Ward - Post-War
+ Various Artists - Touch 25
+ The Mountain Goats - Get Lonely
+ The White Birch - Come Up For Air
+ Camera Obscura - Let's Get Out of This Country
+ Coachwhips - Double Death
+ Various Artists - Tibetan And Bhutanese Instrumental And Folk Music, Volume 2
+ Giuseppe Ielasi - Giuseppe Ielasi
+ Cex - Actual Fucking
+ Sufjan Stevens - The Avalanche
+ Leafcutter John - The Forest And The Sea
+ Carla Bozulich - Evangelista
+ Barbara Morgenstern - The Grass Is Always Greener
+ Robin Guthrie - Continental
+ Peaches - Impeach My Bush
+ Oakley Hall - Second Guessing
+ Klee - Honeysuckle
+ The Court & Spark - Hearts
+ TV On The Radio - Return To Cookie Mountain
+ Awesome Color - Awesome Color
+ Jenny Wilson - Love And Youth
+ Asobi Seksu - Citrus
+ Marsen Jules - Les Fleurs
+ The Moore Brothers - Murdered By The Moore Brothers
+ Regina Spektor - Begin To Hope
+ The 1900s - Plume Delivery EP
+ Alejandro Escovedo - The Boxing Mirror
+ Function - The Secret Miracle Fountain
+ Sonic Youth - Rather Ripped
+ Loscil - Plume
+ Boris - Pink
+ Deadboy And The Elephantmen - We Are Night Sky
+ Glissandro 70 - Glissandro 70
+ Calexico - Garden Ruin (Review #2)
+ Calexico - Garden Ruin (Review #1)
+ The Flaming Lips - At War With The Mystics
+ The Glass Family - Sleep Inside This Wheel
+ Various Artists - Songs For Sixty Five Roses
+ The Fiery Furnaces - Bitter Tea
+ Motorpsycho - Black Hole/Blank Canvas
+ The Red Krayola - Introduction
+ Metal Hearts - Socialize
+ American Princes - Less And Less
+ Sondre Lerche And The Faces Down Quartet - Duper Sessions
+ Supersilent - 7
+ Band Of Horses - Everything All The Time
+ Dudley Perkins - Expressions
+ Growing - Color Wheel
+ Red Carpet - The Noise Of Red Carpet
+ The Essex Green - Cannibal Sea
+ Espers - II
+ Wilderness - Vessel States

44.1 kHz Archive

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Broken Social Scene
You Forgot It In People
Paper Bag

Listening to this album is like giving up a really long struggle to make sense of things. It's a great big glimmer of hope, for everything from the Toronto music scene to modern rock and electronic pop, and, may I even say, the future of independent music. As I listened for the first time, I was stunned by the second track ("KC Accidental"), which unfolded its thick math-rock energy, eventually bursting into joyous vocals and strings. My heart actually started to beat a little faster.

You Forgot It In People, an album that generated noticeable — albeit underground — hype in Toronto upon its release, has barely registered a blip on the broader radar. Toronto's music community is fairly closely knit, and everybody's worked with everybody else at some point, which may explain the new album's visibility. Broken Social Scene truly embody this trend.

Though it'd probably be impossible to untangle the intricate connections that make up this band/collective/super-group, it is essentially built around the core of Brendon Canning (formerly of KC Accidental) and Kevin Drew (formerly of By Divine Right). The rest of 10-piece includes members of Treble Charger, Do Make Say Think, local band Raising the Fawn, Godspeed You! Black Emperor, and various other musicians, actors and record-store employees. In true collective fashion, the liner notes fail to allot precise roles to each member, a valuable reminder of what really matters in the end.

It would be lazy to label this album a mishmash, because it's so much more than that. "Eclectic" is overused, as is "genre-bending"; neither aptly conveys the intelligence and enthusiasm that so clearly went into the album's creation. There's a very noticeable energy that permeates all the songs, driving one into another, an energy that could be lamely summed up as "fun," although not in a foolish sense.

The variety of talent means not only wonderful instrumentation but some inspiring singing as well. "Almost Crimes (Radio Kills Remix)" is a Strokes-like rockout that isn't afraid to show a sexy feminine side by incorporating some warbling and passionate female vocals. "Lover's Spit" evokes a smitten Thom Yorke (or would that be Coldplay's Chris Martin?), while the timid "I'm Still Your Fag" reminds me of an Arab Strap song that never was. Mellower-than-mellow grooves keep things rolling on "Looks Just Like the Sun" and "Pacific Theme," with the downtempo mood pervading even the rocking-est moments.

The oddest and, in my mind, most memorable track is the mournful yet strangely sunny "Anthems for a Seventeen Year Old Girl." Over smooth strings and banjos, a sweet and synth-like girl's voice repeats "you used to be one of the rotten ones and I liked you for that/ now you're all gone got your makeup on and you're not comin' back." The song is kind of quirky and sad, slightly saccharine but ultimately really damn good. The production on this track, as on the rest of the album, is impeccable, and dizzying on headphones. Producer David Newfeld has created an ambience that goes through many forms along with the songs, moving from casual basement rehearsal ("Stars and Sons" and "Looks Just Like the Sun") to laptop landscapes (opener "Capture the Flag") to concert hall grandeur ("Shampoo Suicide").

It's easy to listen to the album and pick out the various members' influences. "Late Nineties Bedroom Rock for the Missionaries" smacks of Do Make Say Think, for example, while there are hints of GY!BE in "Shampoo Suicide." But it's just as easy to ignore your preconceptions and enjoy the album for the mindbendingness of it all. The most shocking aspect about You Forgot It in People is just how easily everything seems to be accomplished. Every note and transition is smooth and effortless, and there is such a wealth of brilliantly executed music. The musical unity on this album restores my faith in local music scenes. It's enough to make your heart beat a little faster.

by Vanessa Meadu

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