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neumu
Wednesday, April 23, 2014 
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Editor's note: We have activated the Neumu 44.1 kHz Archive. Use the link at the bottom of this list to access hundreds of Neumu reviews.

+ Donato Wharton - Body Isolations
+ Svalastog - Woodwork
+ Tim Hecker - Harmony In Ultraviolet
+ Rosy Parlane - Jessamine
+ Jarvis Cocker - The Jarvis Cocker Record
+ Múm - Peel Session
+ Deloris - Ten Lives
+ Minimum Chips - Lady Grey
+ Badly Drawn Boy - Born In The U.K.
+ The Hold Steady - Boys And Girls Together
+ The Blood Brothers - Young Machetes
+ The Places - Songs For Creeps
+ Camille - Le Fil
+ Wolf Eyes - Human Animal
+ Christina Carter - Electrice
+ The Decemberists - The Crane Wife
+ Junior Boys - So This Is Goodbye
+ Various Artists - Musics In The Margin
+ Rafael Toral - Space
+ Bob Dylan - Modern Times
+ Excepter - Alternation
+ Chris Thile - How To Grow A Woman From The Ground
+ Brad Mehldau - Live in Japan
+ M Ward - Post-War
+ Various Artists - Touch 25
+ The Mountain Goats - Get Lonely
+ The White Birch - Come Up For Air
+ Camera Obscura - Let's Get Out of This Country
+ Coachwhips - Double Death
+ Various Artists - Tibetan And Bhutanese Instrumental And Folk Music, Volume 2
+ Giuseppe Ielasi - Giuseppe Ielasi
+ Cex - Actual Fucking
+ Sufjan Stevens - The Avalanche
+ Leafcutter John - The Forest And The Sea
+ Carla Bozulich - Evangelista
+ Barbara Morgenstern - The Grass Is Always Greener
+ Robin Guthrie - Continental
+ Peaches - Impeach My Bush
+ Oakley Hall - Second Guessing
+ Klee - Honeysuckle
+ The Court & Spark - Hearts
+ TV On The Radio - Return To Cookie Mountain
+ Awesome Color - Awesome Color
+ Jenny Wilson - Love And Youth
+ Asobi Seksu - Citrus
+ Marsen Jules - Les Fleurs
+ The Moore Brothers - Murdered By The Moore Brothers
+ Regina Spektor - Begin To Hope
+ The 1900s - Plume Delivery EP
+ Alejandro Escovedo - The Boxing Mirror
+ Function - The Secret Miracle Fountain
+ Sonic Youth - Rather Ripped
+ Loscil - Plume
+ Boris - Pink
+ Deadboy And The Elephantmen - We Are Night Sky
+ Glissandro 70 - Glissandro 70
+ Calexico - Garden Ruin (Review #2)
+ Calexico - Garden Ruin (Review #1)
+ The Flaming Lips - At War With The Mystics
+ The Glass Family - Sleep Inside This Wheel
+ Various Artists - Songs For Sixty Five Roses
+ The Fiery Furnaces - Bitter Tea
+ Motorpsycho - Black Hole/Blank Canvas
+ The Red Krayola - Introduction
+ Metal Hearts - Socialize
+ American Princes - Less And Less
+ Sondre Lerche And The Faces Down Quartet - Duper Sessions
+ Supersilent - 7
+ Band Of Horses - Everything All The Time
+ Dudley Perkins - Expressions
+ Growing - Color Wheel
+ Red Carpet - The Noise Of Red Carpet
+ The Essex Green - Cannibal Sea
+ Espers - II
+ Wilderness - Vessel States

44.1 kHz Archive



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artist
Liars
recording
They Threw Us All In A Trench And Stuck A Monument On Top
Candle Blast First/Mute Records
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I say I like a lot of stuff. I've really got to stop doing that so much, 'cause it takes away from the stuff I really, really like. Like this album by The Liars. And, I want you to know, I like what they're doing, a lot. Sure, they're not the only band out there doing what they're doing, but it only works for some. And it works for The Liars. I don't think I can say precisely why, but I can say I like it. I swear to God, this time I really do.

It's all just so wrong, so mean, so sure of itself. Maybe that's what's always drawn me to punk — it's just not right, but makes you want to believe anyway. It's not nice and it doesn't care if you like it. It's not what it's supposed to be and it doesn't sound how you thought it would. But it always gets your attention, grabs your shirt at the back of your neck, and pulls you in. Ooh baby, say it hurts so good — that's what punk is to me. A band has got to have it down just right to hit that spot where the hurt feels good. And that's where The Liars live.

I'm not sure about all the little details — you know, instruments, production and whatnot — but they know how to make you really feel. They've managed to invent a post-punk sound equal parts terrifying and alluring, infectious and nerve-wrecking. It's inescapably neurotic, grim and bitter. Like a fiery soul or vengeful spirit, you can't ignore it or its quiet, unintended power and attitude. Like most punk, the nine-song record is minimal and edgy, slow and fast. Incorporating bits of electronic effects, The Liars follow no rigid formats as they create a dark, slithering, sometimes sad and sometimes angry mood. With manic Stooges-style energy and abrasive Fugazi-like emotion, The Liars invented their own gloomy yet thrilling breed of punk.

And it works; it really works. Whether they're shrieking or pleading, dancing or shivering, they're always exuding an intensity that never fails to find a way to hit you hard, really hard. These guys I really like, and I'm not just saying that to be nice — they're certainly not nice, why should I be?


by Jenny Tatone




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