-
neumu
Thursday, November 23, 2017 
-
-
--archival-captured-cinematronic-continuity error-daily report-datastream-depth of field--
-
--drama-44.1 khz-gramophone-inquisitive-needle drops-picture book-twinklepop--
-
Neumu = Art + Music + Words
Search Neumu:  

illustration
44.1kHz = music reviews

edited by michael goldbergcontact




Editor's note: We have activated the Neumu 44.1 kHz Archive. Use the link at the bottom of this list to access hundreds of Neumu reviews.

+ Donato Wharton - Body Isolations
+ Svalastog - Woodwork
+ Tim Hecker - Harmony In Ultraviolet
+ Rosy Parlane - Jessamine
+ Jarvis Cocker - The Jarvis Cocker Record
+ Múm - Peel Session
+ Deloris - Ten Lives
+ Minimum Chips - Lady Grey
+ Badly Drawn Boy - Born In The U.K.
+ The Hold Steady - Boys And Girls Together
+ The Blood Brothers - Young Machetes
+ The Places - Songs For Creeps
+ Camille - Le Fil
+ Wolf Eyes - Human Animal
+ Christina Carter - Electrice
+ The Decemberists - The Crane Wife
+ Junior Boys - So This Is Goodbye
+ Various Artists - Musics In The Margin
+ Rafael Toral - Space
+ Bob Dylan - Modern Times
+ Excepter - Alternation
+ Chris Thile - How To Grow A Woman From The Ground
+ Brad Mehldau - Live in Japan
+ M Ward - Post-War
+ Various Artists - Touch 25
+ The Mountain Goats - Get Lonely
+ The White Birch - Come Up For Air
+ Camera Obscura - Let's Get Out of This Country
+ Coachwhips - Double Death
+ Various Artists - Tibetan And Bhutanese Instrumental And Folk Music, Volume 2
+ Giuseppe Ielasi - Giuseppe Ielasi
+ Cex - Actual Fucking
+ Sufjan Stevens - The Avalanche
+ Leafcutter John - The Forest And The Sea
+ Carla Bozulich - Evangelista
+ Barbara Morgenstern - The Grass Is Always Greener
+ Robin Guthrie - Continental
+ Peaches - Impeach My Bush
+ Oakley Hall - Second Guessing
+ Klee - Honeysuckle
+ The Court & Spark - Hearts
+ TV On The Radio - Return To Cookie Mountain
+ Awesome Color - Awesome Color
+ Jenny Wilson - Love And Youth
+ Asobi Seksu - Citrus
+ Marsen Jules - Les Fleurs
+ The Moore Brothers - Murdered By The Moore Brothers
+ Regina Spektor - Begin To Hope
+ The 1900s - Plume Delivery EP
+ Alejandro Escovedo - The Boxing Mirror
+ Function - The Secret Miracle Fountain
+ Sonic Youth - Rather Ripped
+ Loscil - Plume
+ Boris - Pink
+ Deadboy And The Elephantmen - We Are Night Sky
+ Glissandro 70 - Glissandro 70
+ Calexico - Garden Ruin (Review #2)
+ Calexico - Garden Ruin (Review #1)
+ The Flaming Lips - At War With The Mystics
+ The Glass Family - Sleep Inside This Wheel
+ Various Artists - Songs For Sixty Five Roses
+ The Fiery Furnaces - Bitter Tea
+ Motorpsycho - Black Hole/Blank Canvas
+ The Red Krayola - Introduction
+ Metal Hearts - Socialize
+ American Princes - Less And Less
+ Sondre Lerche And The Faces Down Quartet - Duper Sessions
+ Supersilent - 7
+ Band Of Horses - Everything All The Time
+ Dudley Perkins - Expressions
+ Growing - Color Wheel
+ Red Carpet - The Noise Of Red Carpet
+ The Essex Green - Cannibal Sea
+ Espers - II
+ Wilderness - Vessel States

44.1 kHz Archive



peruse archival
snippet
    
artist
Q & Not U
recording
Different Damage
Dischord
snippet
rating


Having shed their youngest member in the two years since they released No Kill Beep Beep, a debut with a playful, forced-smile façade, Q & Not U, a Washington, D.C., group, return with a more mature sound on Different Damage, one that encompasses both the pitfalls and improvements of age.

With their sound stripped of all but beat and melody (and often they are one and the same), drummer John Davis owns this record. Caressing multiple rhythms from his meager kit, Davis rifles his sticks across the snare like skipping stones in the prototypical D.C. rocker "Black Plastic Bag." And with his quick leaps from the hi-hat to the snare in several cuts including "This Are Flashes," which also boasts sharp, bottom-heavy riffs, Davis subtly accentuates post-punk's influence on the trio.

Rescuing Q & Not U from the style-as-substance post-post-punk crop are straight vocals (i.e. no breathy, heavily affected squeals and sighs) and a decidedly D.C. songwriting style. No matter how dancey or upbeat the song, the core is still anchored to the decades-old Dischord aesthetic of virtuosity, furrowed brows and controlled chaos. The figurehead of this sound, Fugazi's Ian Mackaye, produced Different Damage (as he did No Kill), and his smudged fingerprints can be felt in the brashness of the two previously mentioned cuts, as well as in "When the Lines Go Down." Mackaye's punk touch and Q's hyperactive nature don't quite mesh, making the album unpredictable. Which is great, obviously.

Yet the playfulness of the debut (which itself pales in comparison to the group's lively gigs) has significantly waned in round two. Midway through "Hooray for Humans," one of No Kill's better cuts, singer Chris Richards literally spelled out their party line, yelling, "D! O! W! N!/ And that's the way we get down!" "Soft Pyramids," Different Damage's opener, begins with Richards spelling once again, but this time in a timid coo. "S-O-F/ T-P-Y/ R-A-M/ I-D-S/ E-V-A/ P-O-R/ A-T-E," he gently offers as guitar chimes mimic his voice. It's clear from its morose, stark minimalism — each note and snap perfectly placed, plus a lovely melodica solo — that somebody doesn't feel like partying anymore.

By slowing down and turning their songs inward, rather than just focusing on getting crowds into a fervor, Q & Not U have discovered strengths that probably surprised even them. "Snow Patterns" bears an odd resemblance to The Beatles' "Julia," tenderly double-tracked vocals offering such realist lines as "Wrapped in fabrics/ We'll wait patiently to see something/ So beautiful and it will take the breath out of our lungs." The lyrics are fantastic and the arrangement even better — a pulsing bass line and a snare-heavy beat betraying the restrained melody.

And having established how Q & Not U have changed, here's the real shocker: Things really aren't all that different. Richards is more comfortable singing, which erases the whiny nature that marred some of their earlier material, but this is still a band that makes a good party great. Their energy has always been irresistible — even without getting on the dance floor. Different Damage reestablishes their visceral powers, but also makes room for the wallflowers.


by Yancey Strickler




-
-snippetcontactsnippetcontributorssnippetvisionsnippethelpsnippetcopyrightsnippetlegalsnippetterms of usesnippetThis site is Copyright © 2003 Insider One LLC
-