Carnage | ||||
Delphine Gleize Chiara Mastroianni, Angela Molina, Lio, Lucia Sanchez, Esther Gorintin, Marilyne Even, Clovis Cornillac, Jacques Gamblin, Féodor Atkine, Bernard Sens 2002 |
Like filmmaker P. T. Anderson's hailed "Magnolia," the mesmerizing, multifarious ensemble drama "Carnage" ponders the mystery of random, potentially life-altering connections between people. The catalyst and linking entity in "Carnage," the debut feature from writer/director Delphine Gleize, is a bull killed in Spain after it gores a matador. While the matador lies comatose in a hospital, the dead bull is chopped apart, and the pieces are sent to various European markets. Winnie, a little epileptic girl, watches the goring on French TV. Her parents buy one of the bull's bones for their dog. Struggling actress/new-age seeker Carlotta (Chiara Mastroianni) sells them the bone at her part-time supermarket job. A university researcher (Jacques Gamblin) with a pregnant wife (Lio) and a wandering eye procures the bull's eyes to study. A poor taxidermist (Bernard Sens) gets the horns as a present. A distressed woman (Angela Molina), whose daughter (Lucia Sanchez) is Winnie's teacher, dines on the bull's meat at a restaurant. "Carnage" comes to no pat conclusion, but most of the characters are transformed by the final reel, and Gleize brings inventive imagery and devilish humor to the interlocked storylines. | |||
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